Jazz at Lincoln Center Orchestra & Wynton Marsalis - We the People (2026) [Hi-Res]

Artist: Jazz at Lincoln Center Orchestra, Wynton Marsalis
Title: We the People
Year Of Release: 2026
Label: Blue Engine Records
Genre: Jazz
Quality: FLAC (tracks) [96kHz/24bit]
Total Time: 1:16:04
Total Size: 1.43 GB / 396 MB
WebSite: Album Preview
Tracklist:Title: We the People
Year Of Release: 2026
Label: Blue Engine Records
Genre: Jazz
Quality: FLAC (tracks) [96kHz/24bit]
Total Time: 1:16:04
Total Size: 1.43 GB / 396 MB
WebSite: Album Preview
1. We the People (05:44)
2. One Understands (07:23)
3. Summer Day (07:51)
4. Black Balloon (04:56)
5. The Cycle of Life (07:11)
6. Mitakuye Oyasin (All Are Related) (07:15)
7. A Hot Jam on Grand (04:12)
8. Au Café (Synchromy) (04:40)
9. For Never and Forever (05:51)
10. The Tree (06:26)
11. Salvation, Serenity, Reflection (07:04)
12. The Sound of Colors (07:28)
Jazz music is America’s past and its potential, summed up and sanctified and accessible to anybody who learns to listen, feel,and understand it. The music can connect us both to our earlier selves and to our better selves-to-come. It can remind us of where we fit on the timeline of human achievement, an ultimate value of art.
It is us – all of us — at our best, collaborating for a greater good while reveling in individual freedom. Nothing is more quintessentially American than that.
There has never been a recording quite like this one, a creative collaboration between an art museum and a jazz orchestra. The Crystal Bridges Museum of American Art in Fayetteville, Arkansas is dedicated to celebrating the American Spirit. The virtuosos who make up the Jazz at Lincoln Center Orchestra with Wynton Marsalis embody that spirit, night after night, across the country and around the world.
To create this recording, members of the orchestra were asked to choose a work of art from the museum’s collection that especially resonated with them – works by artists as different from one another as Stuart Davis and Thomas Cole, Adolph Gottlieb and Romare Bearden – and then write and arrange music for the orchestra that it inspired.
Never in the history of the music has there been a band that included as many gifted arrangers. The result — filled with echoes of church music and the blues, Afro-Latin rhythms, 4/4 swing, and much, much more — is as rich and varied, soulful and surprising as the country it reflects, a brilliant reminder, just when one is badly needed, of how much America’s music has to tell us about ourselves if we take the time to listen.
It is us – all of us — at our best, collaborating for a greater good while reveling in individual freedom. Nothing is more quintessentially American than that.
There has never been a recording quite like this one, a creative collaboration between an art museum and a jazz orchestra. The Crystal Bridges Museum of American Art in Fayetteville, Arkansas is dedicated to celebrating the American Spirit. The virtuosos who make up the Jazz at Lincoln Center Orchestra with Wynton Marsalis embody that spirit, night after night, across the country and around the world.
To create this recording, members of the orchestra were asked to choose a work of art from the museum’s collection that especially resonated with them – works by artists as different from one another as Stuart Davis and Thomas Cole, Adolph Gottlieb and Romare Bearden – and then write and arrange music for the orchestra that it inspired.
Never in the history of the music has there been a band that included as many gifted arrangers. The result — filled with echoes of church music and the blues, Afro-Latin rhythms, 4/4 swing, and much, much more — is as rich and varied, soulful and surprising as the country it reflects, a brilliant reminder, just when one is badly needed, of how much America’s music has to tell us about ourselves if we take the time to listen.