Hallé & Sir Mark Elder - Huw Watkins: Symphony No. 2 (2026) [Hi-Res]

  • 05 Mar, 16:13
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Artist:
Title: Huw Watkins: Symphony No. 2
Year Of Release: 2026
Label: Halle Concerts Society
Genre: Classical
Quality: FLAC (tracks) / 24bit-48kHz FLAC (tracks)
Total Time: 01:03:28
Total Size: 214 / 571 MB
WebSite:

Tracklist:

1. Fanfare for the Hallé (1:42)
2. Symphony No. 2: I. (10:56)
3. Symphony No. 2: II. (12:04)
4. Symphony No. 2: III. (7:51)
5. Concerto for Orchestra: I. (9:04)
6. Concerto for Orchestra: II. (13:20)
7. Concerto for Orchestra: III. (8:32)

This album celebrates a warm and close musical relationship between composer, conductor and orchestra – and the extraordinary impact the Covid pandemic had on British cultural life.

Sir Mark and the Hallé commissioned and premiered the works on this album between 2020 and 2025, with Huw Watkins writing with the specific sound of the Hallé in mind. Symphony No.2 and Fanfare for the Hallé were born of the pandemic. The symphony was composed during Covid lockdown and Watkins said this influenced the work’s character, with a determination that it should end positively. This is uplifting music, crafted in a symphonic tradition whilst offering a fresh voice and skilful use of instrumental writing. The performance was awarded the South Bank Sky Arts Classical Music Award for 2022.

The Fanfare for the Hallé was commissioned by the Hallé to celebrate the return of the orchestra to the concert platform following the first Covid lockdown. Scored for 11 brass instruments the work moves from a tentative beginning to a confident and defiant conclusion – arguably reflecting much of the national mood during the pandemic. Following almost a quarter of a century as Music Director of the Hallé, Sir Mark premiered Watkins’ Concerto for Orchestra in his first concert as Conductor Emeritus. The piece particularly reflects the qualities of the orchestra and its musicians, and their longstanding relationship with Sir Mark. The work exudes positivity, with rhythmic deftness and highly effective orchestral colourations, displaying the musical strengths of all sections of the orchestra, in writing that is beguiling and joyous.