Mario Carbotta, Enrico Casazza, Carlo De Martini, Alice Bisanti, Marcello Scandelli, Carlo Balzaretti - Rolla: Flute Chamber Music (2008)

Artist: Mario Carbotta, Enrico Casazza, Carlo De Martini, Alice Bisanti, Marcello Scandelli, Carlo Balzaretti
Title: Rolla: Flute Chamber Music
Year Of Release: 2008
Label: Dynamic
Genre: Classical
Quality: flac lossless (tracks) +Booklet
Total Time: 01:03:24
Total Size: 284 mb
WebSite: Album Preview
TracklistTitle: Rolla: Flute Chamber Music
Year Of Release: 2008
Label: Dynamic
Genre: Classical
Quality: flac lossless (tracks) +Booklet
Total Time: 01:03:24
Total Size: 284 mb
WebSite: Album Preview
01. Divertimento ossia Sestetto, BI 433: I. Andante
02. Divertimento ossia Sestetto, BI 433: II. Minuetto. Allegro
03. Divertimento ossia Sestetto, BI 433: III. Tema con variazioni
04. Divertimento, BI 427a: I. Introduzione. Allegro spiritoso
05. Divertimento, BI 427a: II. Variations on a Theme by Paisiello: Andante
06. Divertimento, BI 427a: III. Rondo. Allegro
07. Flute Quartet in E Minor, Op. 2, No. 1, BI 428: I. (Allegro)
08. Flute Quartet in E Minor, Op. 2, No. 1, BI 428: II. Largo
09. Flute Quartet in E Minor, Op. 2, No. 1, BI 428: III. Rondo
10. Flute Quartet in C Major, Op. 2, No. 2, BI 415: I. (Allegro)
11. Flute Quartet in C Major, Op. 2, No. 2, BI 415: II. Largo non tanto
12. Flute Quartet in C Major, Op. 2, No. 2, BI 415: III. Rondo
This delightful disc of chamber music by Alessandro Rolla is played by traditional ensembles (flute quartet) and others that are less customary (piano sextet and viola quintet).
Alessandro Rolla, active in Milan in various capacities (conductor, professor at the newly-created conservatory, concert performer, and organizer of musical events) is stylistically tied to classical composition while simultaneously open to burgeoning Romanticism. He occupies a middle ground between Haydn and Boccherini.
Rolla is an example of a neglected musician who was widely acknowledged in his time as a violinist and, especially, viola virtuoso, composer and teacher and whose contribution to technique, repertoire and history of music is greatly underestimated. Still unknown to the majority of musicians and concert-goers, if remembered, it’s always due to his fame as “teacher of the great Paganini”, yet his role was very important in the development of violin and viola technique.
“Carbotta plays the pieces with a nice tone and an excellent technique” Fanfares