Nat Birchall - Path of Enlightenment (2026) [Hi-Res]

Artist: Nat Birchall, Adam Fairhall, Michael Bardon, Paul Hession
Title: Path of Enlightenment
Year Of Release: 2026
Label: Ancient Archive of Sound - 6423001 Records DK
Genre: Jazz
Quality: FLAC (tracks) 48000 Hz (73.7%); 44100 Hz (26.3%) / 24 bit
Total Time: 42:47
Total Size: 486 / 249 MB
WebSite: Album Preview
Tracklist:Title: Path of Enlightenment
Year Of Release: 2026
Label: Ancient Archive of Sound - 6423001 Records DK
Genre: Jazz
Quality: FLAC (tracks) 48000 Hz (73.7%); 44100 Hz (26.3%) / 24 bit
Total Time: 42:47
Total Size: 486 / 249 MB
WebSite: Album Preview
1. Red, Gold & Green (06:55)
2. Amenhotep (10:32)
3. Path of Enlightenment (05:42)
4. Menat (08:15)
5. Visitation of the Spirits (05:48)
6. Sphesihle (05:33)
For this recording I composed some songs using more “exotic” (for want of a better word) modes, which I have always meant to explore in more depth but never really got around to very much. The first song for instance, Red, Gold & Green, uses an Ethiopian scale. The title comes from the colours of the Ethiopian flag, which is also symbolic in Rastafari so has a kind of double meaning, like a lot of my songs. The title track, Path of Enlightenment, uses several modes, starting in a major key then moving to the Phrygian mode, then to a minor key. The piano solo is in a 28 bar minor blues form. Menat is based on a mode of the Byzantine scale, I’m not sure if it has a particular name or not. Amenhotep was the name of several Egyptian pharaohs, Amenhotep IV being the original given name of Akhenaten. When I was writing this song it put me in mind of my song, Akhenaten, simply because they are both in 5/4 time, so I decided to give this one a pharaonic name too. Spheshile is a Zulu word (and sometimes name) that means “beautiful gift”, the title was suggested by a friend from South Africa. All this means nothing of course if the music doesn’t tell a story, I think the unfamiliar modes allowed us to speak of interesting things that may not have come to us otherwise. Finally, I chose to use the quartet format for this recording because it occurred to me that it tends to make for a more cohesive group sound, and it had been a while since we recorded this way.
Nat Birchall - Tenor saxophone, bells; Adam Fairhall - Piano; Michael Bardon - Bass; Paul Hession - Drums. Recorded, mixed and mastered by Brendan Williams.
Nat Birchall - Tenor saxophone, bells; Adam Fairhall - Piano; Michael Bardon - Bass; Paul Hession - Drums. Recorded, mixed and mastered by Brendan Williams.