Sinéad O'Connor - Live in London 1990 (2025)

  • 22 Apr, 11:42
  • change text size:

Artist:
Title: Live in London 1990
Year Of Release: 2025
Label: Vintage Jukebox
Genre: Alternative Rock, Pop Rock, Folk Rock
Quality: FLAC (tracks)
Total Time: 59:45
Total Size: 326 MB
WebSite:

Tracklist:

1. Feel So Different (06:44)
2. The Emperor's New Clothes (04:09)
3. I Want Your (Hands on Me) (04:09)
4. You Cause So Much Sorrow (05:27)
5. Three Babies (05:18)
6. Black Boys on Mopeds (03:32)
7. Last Day of Our Acquaintance (05:24)
8. Nothing Compares 2 U (05:41)
9. Jump in the River (03:45)
10. Jerusalem (04:26)
11. Mandinka (04:35)
12. Troy (06:28)

With her wide-ranging art and steadfast beliefs, Sinéad O'Connor embodied courage. In a soprano that ranged from piercing to caressing, she used the pain of her childhood to speak out against others' suffering. When she appeared in the late 1980s, O'Connor's shaved head challenged stereotypical notions of femininity, but her rejections of conformity weren't skin-deep. On 1987's acclaimed debut album The Lion and the Cobra, she fused rock, hip-hop, and electronic pop with subjects -- sex, religion, oppression -- many other artists wouldn't touch. And unlike many artists of the era, she incorporated her grief and anger about racism, sexism, human rights violations, and child abuse into her music. The sorrow driving her transcendent version of "Nothing Compares 2 U," from 1990's multi-platinum, Grammy-nominated I Do Not Want What I Haven't Got, stemmed from her complicated relationship with her late mother. At the peak of her popularity in 1992, O'Connor protested the Catholic Church's cover-up of sexual abuse cases on Saturday Night Live. Though her career never fully recovered commercially from the ensuing controversy, it afforded her artistic freedom. Producing or co-producing her albums, O'Connor explored jazz standards on 1992's Am I Not Your Girl? and delved into electronic-based meditations on 1994's Universal Mother; 2002's Sean-Nós Nua paid homage to her Irish roots, while 2005's Throw Down Your Arms celebrated her love of reggae (one of many Black music forms integral to her work). O'Connor returned to impassioned pop with 2014’s well-received I’m Not Bossy, I’m The Boss and delivered a best-selling memoir with 2021's Rememberings, both of which emphasized her unwavering commitment to her truth. By the time of her death in 2023, O'Connor was an heir to the protest singers she admired and a major influence on the confessional, outspoken singer/songwriters that followed in her wake.



  • whiskers
  •  18:05
  • Пользователь offline
    • Нравится
    • 0
Many Thanks for Flac