Freakwater - End Time (1999)

Artist: Freakwater
Title: End Time
Year Of Release: 1999
Label: Thrill Jockey Records
Genre: Americana, Alt-Country
Quality: Mp3 320 / Flac (tracks)
Total Time: 55:51
Total Size: 133/342 Mb
WebSite: Album Preview
Tracklist:Title: End Time
Year Of Release: 1999
Label: Thrill Jockey Records
Genre: Americana, Alt-Country
Quality: Mp3 320 / Flac (tracks)
Total Time: 55:51
Total Size: 133/342 Mb
WebSite: Album Preview
01. Good for Nothing 5:52
02. Cloak of Frogs 6:02
03. Sick, Sick, Sick 4:10
04. Just Like You 5:06
05. Cheap Watch 3:09
06. My History 4:38
07. When the Leaves Begin to Fall 5:18
08. Written in Gold 4:17
09. Dog Gone Wrong 4:22
10. Queen Bee 3:33
11. Raised Skin 3:49
12. All Life Long 5:35
Freakwater, a Chicago-based project (originally from Louisville), led by singer-songwriter duo Janet Beveridge Bean and Catherine Ann Irwin, has always been known for its uncompromising, raw approach to American roots music. However, it was on "End Time" that their sound underwent a noticeable evolution.
Despite the increasingly complex arrangements, Freakwater remained true to their core. The album's music draws inspiration from the dark legacy of The Carter Family, Johnny Cash, and Lefty Frisell. Janet and Catherine's signature gritty, slightly dissonant vocal harmonies are found here at the intersection of old-school country folk and the rebellious independent rock aesthetic of the '90s.
The album was hailed by critics from Britain's The Guardian and American publications as one of the most honest, rigorous, and serious works in the alt-country genre of the time.
Despite the increasingly complex arrangements, Freakwater remained true to their core. The album's music draws inspiration from the dark legacy of The Carter Family, Johnny Cash, and Lefty Frisell. Janet and Catherine's signature gritty, slightly dissonant vocal harmonies are found here at the intersection of old-school country folk and the rebellious independent rock aesthetic of the '90s.
The album was hailed by critics from Britain's The Guardian and American publications as one of the most honest, rigorous, and serious works in the alt-country genre of the time.