Erik Bosgraaf & filoBarocco - Folk Baroque: Speculative Music from 18th Century Poland (2026) [Hi-Res]

Artist: Erik Bosgraaf, filoBarocco
Title: Folk Baroque: Speculative Music from 18th Century Poland
Year Of Release: 2026
Label: Brilliant Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 01:12:15
Total Size: 320 MB / 1.30 GB
WebSite: Album Preview
Tracklist:Title: Folk Baroque: Speculative Music from 18th Century Poland
Year Of Release: 2026
Label: Brilliant Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 01:12:15
Total Size: 320 MB / 1.30 GB
WebSite: Album Preview
1. Bosgraaf, Facchini, Paulesu, Baronchelli: Act I: I. Polonesie/Danse (13) (2:20)
2. Bosgraaf, Facchini, Paulesu, Baronchelli: Act I: II. Hanac (Hanaquoise) [25] (1:11)
3. Bosgraaf, Facchini, Paulesu, Baronchelli: Act I: III. Polonesie/Danse (15) (2:00)
4. Bosgraaf, Facchini, Paulesu, Baronchelli: Act I: IV. Polonèse/Danse (16) (2:25)
5. Bosgraaf, Facchini, Paulesu, Baronchelli: Act I: V. Polonie/Polonesie (4) (1:07)
6. Bosgraaf, Facchini, Paulesu, Baronchelli: Act I: Vi. Polon: (28) (1:32)
7. Bosgraaf, Facchini, Paulesu, Baronchelli: Act I: VII. Polon: (6) (2:27)
8. Bosgraaf, Facchini, Paulesu, Baronchelli: Act I: VIII. Polonie/Polonesie (5) (3:04)
9. Bosgraaf, Facchini, Paulesu, Baronchelli: Act II: I. Polonie (20) (2:08)
10. Bosgraaf, Facchini, Paulesu, Baronchelli: Act II: II. Polon: (30) (0:53)
11. Bosgraaf, Facchini, Paulesu, Baronchelli: Act II: III. Polonie/Danse (12) (1:18)
12. Bosgraaf, Facchini, Paulesu, Baronchelli: Act II: IV. Hanac (Hanaquoise) [24] (3:02)
13. Bosgraaf, Facchini, Paulesu, Baronchelli: Act II: V. Poloniè (Polonoise from Overture TWV 55:B 12) [2] (4:09)
14. Bosgraaf, Facchini, Paulesu, Baronchelli: Act II: Vi. Polonesie/Dans (11) (2:41)
15. Bosgraaf, Facchini, Paulesu, Baronchelli: Act II: VII. Polonesie/Danse (14) (2:05)
16. Bosgraaf, Facchini, Paulesu, Baronchelli: Act II: VIII. Polonesie/Polnische Dans (7) (1:47)
17. Bosgraaf, Facchini, Paulesu, Baronchelli: Act II: IX. Polonse/Danse (17) (1:19)
18. Bosgraaf, Facchini, Paulesu, Baronchelli: Act III: I. Polonie/Dans (10) (8:12)
19. Bosgraaf, Facchini, Paulesu, Baronchelli: Act III: II. Polonie (22) (1:03)
20. Bosgraaf, Facchini, Paulesu, Baronchelli: Act III: III. Polonie (26) (1:19)
21. Bosgraaf, Facchini, Paulesu, Baronchelli: Act III: IV. Polonoise De Telleman/Polon: De Telleman. (27) (2:05)
22. Bosgraaf, Facchini, Paulesu, Baronchelli: Act III: V. Poloniè (Hanaquoise from Overture TWV 55:D 3) [1] (2:51)
23. Bosgraaf, Facchini, Paulesu, Baronchelli: Act III: Vi. Tres Viste (31) (1:58)
24. Bosgraaf, Facchini, Paulesu, Baronchelli: Act IV: I. Polonie/Polonesie (3) (4:09)
25. Bosgraaf, Facchini, Paulesu, Baronchelli: Act IV: II. Vitement (29) (2:25)
26. Bosgraaf, Facchini, Paulesu, Baronchelli: Act IV: III. Poloniesie/Dans (9) (2:07)
27. Bosgraaf, Facchini, Paulesu, Baronchelli: Act IV: IV. Polone: (18) (2:46)
28. Bosgraaf, Facchini, Paulesu, Baronchelli: Act IV: V. Polonie (19) (1:34)
29. Bosgraaf, Facchini, Paulesu, Baronchelli: Act IV: Vi. Hanac (Hanaquoise) [23] (2:13)
30. Bosgraaf, Facchini, Paulesu, Baronchelli: Act IV: VII. Polonie (21) (2:36)
31. Bosgraaf, Facchini, Paulesu, Baronchelli: Act IV: VIII. Polonesie/Danse (8) (1:44)
When Baroque Meets Folk Energy: In ‘folk baroque’, the music of Georg Philipp Telemann encounters the vibrant dance traditions of central Europe. The program grew out of a collaboration between recorder virtuoso Erik Bosgraaf and the Italian ensemble filoBarocco during the Göttingen International Handel Festival, initiated within the European support programme EEEMERGING+. At the heart of the project lies the fascinating Rostock Manuscript, a historical source long associated with Telemann’s fascination with Central European folk traditions. For Bosgraaf and filoBarocco, the manuscript offers the perfect point of departure for exploring the meeting ground between Baroque repertoire and living folk music traditions. The ensemble shares a deep enthusiasm not only for historical performance practice but also for music that retains the energy, spontaneity, and expressive freedom of traditional dance music.