Leopold Stokowski - Strauss: Till Eulenspiegel, Salome, Don Juan (1959) [2013] Hi-Res
04 Jul, 18:23
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Artist: Leopold Stokowski Title: Strauss: Till Eulenspiegel, Salome, Don Juan Year Of Release: 1959 [2013] Label: Everest [SDBR-3023] Genre: Classical Quality: FLAC (Tracks) | 24 Bit/192 kHz Total Time: 00:39:50 Total Size: 1,4 GB (+3%rec.) WebSite: Album Preview
When Everest Records was founded by Harry Belock in 1958 as a division of Belock Instrument Corp., the aim was to produce a catalogue of stereo recordings of the highest possible technical standard, with interesting and innovative classical repertoire played by some of the best artists and orchestras. For the first Everest recording sessions in 1958, an Ampex 300-3 half-inch threechannel recorder was used. Later on the label moved to use a Westrex 35mm 3-track magnetic film recorder, which had a wider possible dynamic range, less print-through, less tape stretch and less ‘wow and flutter’, and which was the basis for the highly acclaimed typical “Everest-sound”.
…from the original LP release: “The remarkable EVEREST sound on this record is the result of a revolutionary new method of magnetic recording developed by EVEREST utilizing 35 mm magnetic film. Below is a graphic representation of this new material. What you see here, your ears will quickly verify when you listen to an EVEREST recording. Notice that now EVEREST engineers have over 3 times the normal space available [than] on ¼” tape. This means distortion free, perfect sound. 35 mm magnetic film allows EVEREST engineers to make recordings with • No distortion from print through • No distortion from lack of channel width • Absolute minimum of “wow or flutter” • Highest possible signal to noise ratio • Greatest quality and dynamic range ever recorded
With 35 mm magnetic film, the base material on which the magnetic oxide is coated is five times thicker than conventional tape and is similar to the film used for motion pictures. This thickness permits the recording of extremely high sound intensities without the danger of layer-to-layer “print-through”. The width of 35 mm magnetic film is such that it can accommodate three channels, each of which is as wide as the standard ¼” recording tape. Because of this great channel width, it is possible to produce stereo recordings in which the usual background noise is inaudible. Another similarity of magnetic film to motion picture is that it has sprocket holes cut along each edge. The drive mechanism is also similar to motion picture cameras in that sprocket gears engage these sprocket holes affording a smoothness of motion that reduces “wow and flutter” to an absolute minimum. The film has another advantage in its great tensile strength which effectively eliminates pitch changes due to “tape stretch”, a condition heretofore almost impossible to control. Drawing on the extensive experience in the motion picture sound field BELOCK INSTRUMENT (of which EVEREST is a division), requested Westrex Corporation to build special equipment to EVEREST’S exacting specifications in order to accomplish these advantages. This equipment includes the use of special recording heads which afford complete wide band frequency response beyond that normally specified in any present-day motion picture recording. It is of interest to note, that when soundtracks of great motion pictures originally recorded on 35 mm magnetic film are released as phonograph records, that normal technique is to re-record the sound from 35 mm magnetic film to conventional tape. EVEREST, through its advanced processes and equipment, is the only record company able to transfer all Master Records directly from the 35 mm magnetic film to the recording heads. To assure maintaining the high quality of EVEREST sound on every EVEREST recording, the same equipment that is used in the BELOCK Recording studios is utilized for recordings made anywhere in the world. By utilizing specially designed portable versions of EVEREST 35 mm equipment, EVEREST engineers are able to make recordings and maintain the rigid standards and excellence of quality available in the Studios. The advanced engineering and special equipment, in addition to meticulous attention to detail, results in the EVEREST sound, a sound that has been acclaimed as superb by critics and record enthusiasts throughout the world.
Tracks:
01. Till Eulenspiegel’s Merry Pranks, Op. 28 02. Salome, Op. 54 03. Don Juan, Op. 20
Personnel:
Stadium Symphony Orchestra of New York Leopold Stokowski, Conductor