Nathan Moore, Eddie Prevost, Ray Russell - Stacked (2026) [Hi-Res]

Nathan Moore is an electric guitarist informed by improvisation, rock, jazz, and modern classical and electronic music. Notable collaborators, live and on record, include Sue Lynch, Eddie Prevost, Henry Kaiser, John Butcher, Caroline Kraabel, Roger Turner, Dominic Lash, Rachel Musson, Steve Noble, Alan Wilkinson, Phil Durrant, Jason Yarde. He has played at UK venues such as Iklectik, The Vortex, Café OTO, Hundred Years Gallery, and the Huddersfield Festival of Contemporary Music.

Drummer Eddie Prevost was born on June 22, 1942 in England. As a teenager he played drums in Skiffle and trad jazz bands before showing signs of the creative musician that was forming. After his initial exposure to two of his greatest influences Max Roach and Ed Blackwell, Prévost became fascinated with the endless possibilities of improvisation and, in 1965, he co-founded the English improv ensemble AMM with saxophonist Lou Gare and guitarist Keith Rowe, who were subsequently joined by Cornelius Cardew and, later, John Tilbury. Their debut recording was released by Elektra, but they went on to form one of the earliest UK independent labels so as to better control their own destiny. Since then, Prévost has formed lasting relationships with musicians from across the globe, including Marilyn Crispell and Sachiko M. In addition to his performance activities, Prévost started a free improvisation workshop in London in 1999. The workshop continues to this day and has had over 600 attendees.

A professional musician for more than 6 decades, guitarist Ray Russell has worked as a performer, bandleader, composer and producer, touring and recording with countless musicians and composing and playing on movie, TV and theatre soundtracks; he won an ASCAP award for the most played music on American TV in one year. He has been a contractor, musician or musical director for artists such as Tina Turner, George Harrison, Freddie Mercury, David Bowie and more. In recent years, Russell’s avant-garde leaning solo work from the early 1970s has been discovered by a new generation of admirers, led by the international noise-scene vanguard.