Tom Waits - The Heart Of Saturday Night (1974) [Vinyl]

Artist: Tom Waits
Title: The Heart Of Saturday Night
Year Of Release: 1974
Label: Asylum Records
Genre: Jazz, Blues
Quality: FLAC (tracks) [192kHz/24bit]
Total Time: 41:25
Total Size: 1.7 GB
WebSite: Album Preview
Tracklist:Title: The Heart Of Saturday Night
Year Of Release: 1974
Label: Asylum Records
Genre: Jazz, Blues
Quality: FLAC (tracks) [192kHz/24bit]
Total Time: 41:25
Total Size: 1.7 GB
WebSite: Album Preview
A1. New Coat Of Paint (3:23)
A2. San Diego Serenade (3:30)
A3. Semi Suite (3:28)
A4. Shiver Me Timbers (4:26)
A5. Diamonds On My Windshield (3:07)
A6. (Looking For) The Heart Of Saturday Night (3:56)
B1. Fumblin' With The Blues (3:03)
B2. Please Call Me, Baby (4:25)
B3. Depot, Depot (3:46)
B4. Drunk On The Moon (5:06)
B5. The Ghosts Of Saturday Night (After Hours At Napoleone's Pizza House) (3:17)
Review by William Ruhlmann
If Closing Time, Tom Waits' debut album, consisted of love songs set in a late-night world of bars and neon signs, its follow-up, The Heart of Saturday Night, largely dispenses with the romance in favor of poetic depictions of the same setting. On "Diamonds on My Windshield" and "The Ghosts of Saturday Night," Waits doesn't even sing, instead reciting his verse rhythmically against bass and drums like a Beat hipster. Musically, the album contains the same mixture of folk, blues, and jazz as its predecessor, with producer Bones Howe occasionally bringing in an orchestra to underscore the loping melodies. Waits' songs are sometimes sketchier in addition to being more impersonal, but "(Looking For) The Heart of Saturday Night" and "Semi Suite" are the equal of anything on Closing Time. Still, with lines such as "...the clouds are like headlines/Upon a new front page sky" and references to "a 24-hour moon" and "champagne stars," Waits' imagery is beginning to get florid, and in material this stylized, the danger of self-parody is always present.
If Closing Time, Tom Waits' debut album, consisted of love songs set in a late-night world of bars and neon signs, its follow-up, The Heart of Saturday Night, largely dispenses with the romance in favor of poetic depictions of the same setting. On "Diamonds on My Windshield" and "The Ghosts of Saturday Night," Waits doesn't even sing, instead reciting his verse rhythmically against bass and drums like a Beat hipster. Musically, the album contains the same mixture of folk, blues, and jazz as its predecessor, with producer Bones Howe occasionally bringing in an orchestra to underscore the loping melodies. Waits' songs are sometimes sketchier in addition to being more impersonal, but "(Looking For) The Heart of Saturday Night" and "Semi Suite" are the equal of anything on Closing Time. Still, with lines such as "...the clouds are like headlines/Upon a new front page sky" and references to "a 24-hour moon" and "champagne stars," Waits' imagery is beginning to get florid, and in material this stylized, the danger of self-parody is always present.