Janáček Philharmonic Ostrava and Dario Salvi - Auber: Overtures, Vol. 9 (2026) [Hi-Res]
Artist: Janáček Philharmonic Ostrava, Dario Salvi
Title: Auber: Overtures, Vol. 9
Year Of Release: 2026
Label: Naxos
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 01:15:11
Total Size: 329 MB / 1.33 GB
WebSite: Album Preview
Tracklist:Title: Auber: Overtures, Vol. 9
Year Of Release: 2026
Label: Naxos
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 01:15:11
Total Size: 329 MB / 1.33 GB
WebSite: Album Preview
1. Le domino noir, AWV 30: Overture (7:42)
2. La gitana: Mazourke (3:40)
3. La gitana: Pas pour Mademoiselle Taglioni (3:32)
4. La gitana: El jaleo de Xeres (2:43)
5. La sirène, AWV 37: Overture (8:25)
6. Gustave III, AWV 23 "Le bal masqué": Overture (8:42)
7. Gustave III, AWV 23 "Le bal masqué", Act I: Air de danse I. Andantino (6:12)
8. Gustave III, AWV 23 "Le bal masqué", Act I: Air de danse: II. Pas de paysans Dalécarliens. Andantino con moto (4:37)
9. Gustave III, AWV 23 "Le bal masqué", Act V: Air de danse: I. Allemande. Allegretto (6:14)
10. Gustave III, AWV 23 "Le bal masqué", Act V: Air de danse: II. Pas de folies. Allegro (5:28)
11. Gustave III, AWV 23 "Le bal masqué", Act V: Air de danse: III. Menuet. Allegretto (3:01)
12. Gustave III, AWV 23 "Le bal masqué", Act V: March: I. Mouvement de marche (1:28)
13. Gustave III, AWV 23 "Le bal masqué", Act V: March: II. Polonoise. Allegretto (3:20)
14. Gustave III, AWV 23 "Le bal masqué", Act V: Air de danse: IV. Galop. Allegro (4:16)
15. Marche funèbre pour la translation des cendres de Napoléon, AWV 191 (5:58)
Daniel-François-Esprit Auber was one of the most successful opera composers of the 19th century. His overtures were favourites of the light Classical repertoire with gracious melodies and dance rhythms that were hugely influential on the genre of Romantic comic opera, especially in Germany. The unexpected complexities of Le Domino noir result in Auber’s most subtle and refined overture, while the often vivacious and joyful music in Gustave III, ou Le Bal masqué corresponds to the expectations of the grand-opéra tradition. All of these contrast with a closing Marche funèbre composed to accompany the interment of Napoleon’s ashes in the church of Les Invalides.
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