Simone El Oufir Pierini - Flor: 10 Suites for Harpsichord (2026) [Hi-Res]

Tracklist

01. Harpsichord Suite in D Minor No. 1: I. Aria
02. Harpsichord Suite in D Minor No. 1: II. Variatio (Correntiae)
03. Harpsichord Suite in D Minor No. 1: III. Corrente
04. Harpsichord Suite in D Minor No. 1: IV. Variatio (Correntis)
05. Harpsichord Suite in D Minor No. 1: V. Sarabanda
06. Harpsichord Suite in D Minor No. 1: Vi. Variatio (Sarabandae)
07. Harpsichord Suite in F Major No. 2: I. Allemanda
08. Harpsichord Suite in F Major No. 2: II. Current
09. Harpsichord Suite in F Major No. 2: III. Sarabande
10. Harpsichord Suite in F Major No. 2: IV. Double
11. Harpsichord Suite in F Major No. 2: V. Gigue
12. Harpsichord Suite in D Minor No. 3: I. Allemande
13. Harpsichord Suite in D Minor No. 3: II. Corrente
14. Harpsichord Suite in D Minor No. 3: III. Sarabande
15. Harpsichord Suite in D Minor No. 3: IV. Double
16. Harpsichord Suite in D Minor No. 3: V. Gigue
17. Harpsichord Suite in C Major No. 4: I. Praeludium
18. Harpsichord Suite in C Major No. 4: II. Allemanda
19. Harpsichord Suite in C Major No. 4: III. Corrente
20. Harpsichord Suite in C Major No. 4: IV. Sarabanda
21. Harpsichord Suite in C Major No. 4: V. Gigue
22. Harpsichord Suite in E Minor No. 5: I. Allemande
23. Harpsichord Suite in E Minor No. 5: II. Corrente
24. Harpsichord Suite in E Minor No. 5: III. Sarabande
25. Harpsichord Suite in E Minor No. 5: IV. Gigue
26. Harpsichord Suite in G Minor No. 6: I. Ballet
27. Harpsichord Suite in G Minor No. 6: II. Courant
28. Harpsichord Suite in G Minor No. 6: III. Saraband
29. Harpsichord Suite in A Major No. 7: I. Preludio
30. Harpsichord Suite in A Major No. 7: II. Allemande
31. Harpsichord Suite in A Major No. 7: III. Courrente
32. Harpsichord Suite in A Major No. 7: IV. Sarabande
33. Harpsichord Suite in A Major No. 7: V. Gigue
34. Harpsichord Suite in E Major No. 8: I. Praeludium
35. Harpsichord Suite in E Major No. 8: II. Allemande
36. Harpsichord Suite in E Major No. 8: III. Corrente
37. Harpsichord Suite in E Major No. 8: IV. Sarabande
38. Harpsichord Suite in E Major No. 8: V. Double
39. Harpsichord Suite in E Major No. 8: Vi. Gigue
40. Harpsichord Suite in B-Flat Major No. 9: I. Allemande
41. Harpsichord Suite in B-Flat Major No. 9: II. Corrente
42. Harpsichord Suite in B-Flat Major No. 9: III. Saraband. 1
43. Harpsichord Suite in B-Flat Major No. 9: IV. Sarab(And). 2
44. Harpsichord Suite in B-Flat Major No. 10: I. Praeludium
45. Harpsichord Suite in B-Flat Major No. 10: II. Allemande
46. Harpsichord Suite in B-Flat Major No. 10: III. Courante

Christian Flor (1626-1697) was a German Baroque composer and organist whose work reflects the stylistic transition between early and high Baroque music in northern Europe. Although not as widely known today as some of his contemporaries, Flor held important musical positions during his lifetime, serving as an organist and contributing to the rich liturgical and instrumental traditions of 17th-century Germany.
Among his surviving works, Flor’s ten suites for harpsichord stand out as a significant contribution to the development of the Baroque suite. These suites follow the typical structure of the time, generally consisting of a sequence of dance movements such as allemande, courante, sarabande, and gigue. Each movement contrasts in tempo and character, creating a balanced and varied musical experience within a unified tonal framework.
Flor’s writing for harpsichord is notable for its clarity and elegance. Rather than focusing on virtuosic display, his suites emphasize melodic development, harmonic richness, and rhythmic vitality. This approach makes his music both accessible and expressive, while his use of ornamentation is tasteful and idiomatic, enhancing the musical line without overwhelming it.
The ten suites also illustrate the broader European influences present in German Baroque music. Elements of French dance style and Italian melodic expressiveness can be found throughout, showing Flor’s awareness of international trends. At the same time, his music retains a distinctly German contrapuntal sensibility.
Played on the harpsichord by Simone Pierini. Born in Rome in 1996, Pierini began studying music at the age of eight. Aged eighteen, he graduated in piano at S. Cecilia Conservatory of Music, Rome, with highest honors. He afterwards grew interest in historically informed piano practice, attending masterclasses led by Alexei Lubimov, Andreas Staier, Tobias Koch, Stefano Fiuzzi. Subsequently, his interest about historical keyboards in general grew further, and he began studying harpsichord and basso continuo with such teachers as Andrea Coen and Giovanni Togni. His recordings with music by Cherubini (BC96246), the complete piano sonatas by Hélène de Montgeroult (BC96247) and the complete Piano Sonatas by Cramer were very positively received by the press. Classic FM nominated him as one of the 30 best musicians under 30 in 2024.