Ensemble Il Caravaggio & Camille Delaforge - Historiæ sacræ (2026) [Hi-Res]
Artist: Ensemble Il Caravaggio, Camille Delaforge
Title: Historiæ sacræ
Year Of Release: 2026
Label: Alpha Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 56:29
Total Size: 255 MB / 0.98 GB
WebSite: Album Preview
Tracklist:Title: Historiæ sacræ
Year Of Release: 2026
Label: Alpha Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 56:29
Total Size: 255 MB / 0.98 GB
WebSite: Album Preview
1. Purcell: 19 Fantazias, In Nomines and Other Pieces: No. 14, Pavane in G Minor, Z. 752 (2:56)
2. Purcell: 19 Fantazias, In Nomines and Other Pieces: No. 15, Chaconne in G Minor, Z. 730 (3:46)
3. Ferrandini: Il pianto di Maria, cantata sacra da cantarsi dinanti al Santo Sepolcro: Recitativo. Giunta l’ora fatal nel ciel prescritta (1:45)
4. Ferrandini: Il pianto di Maria, cantata sacra da cantarsi dinanti al Santo Sepolcro: Aria. Se d’un Dio fui fatta madre (I) (2:45)
5. Ferrandini: Il pianto di Maria, cantata sacra da cantarsi dinanti al Santo Sepolcro: Recitativo. Ah me infelice! Ahi lassa! (1:42)
6. Ferrandini: Il pianto di Maria, cantata sacra da cantarsi dinanti al Santo Sepolcro: Aria. Se d’un Dio fui fatta madre (II) (2:49)
7. Ferrandini: Il pianto di Maria, cantata sacra da cantarsi dinanti al Santo Sepolcro: Recitativo. Ahimè ch’Egli già esclama ad alta voce (1:32)
8. Ferrandini: Il pianto di Maria, cantata sacra da cantarsi dinanti al Santo Sepolcro: Aria. Sventurata i miei sospiri (3:34)
9. Ferrandini: Il pianto di Maria, cantata sacra da cantarsi dinanti al Santo Sepolcro: Recitativo. Sì disse la gran madre (1:55)
10. Ferrandini: Il pianto di Maria, cantata sacra da cantarsi dinanti al Santo Sepolcro: Aria. Pari all’amor immenso (7:07)
11. Ferrandini: Il pianto di Maria, cantata sacra da cantarsi dinanti al Santo Sepolcro: Recitativo. Or se per grande orror tremò la terra (0:56)
12. Purcell: Saul and the Witch of Endor (In Guilty Night), Z. 134: In Guilty Night (1:33)
13. Purcell: Saul and the Witch of Endor (In Guilty Night), Z. 134: Woman, Arise, Call Powerful Arts Together (4:06)
14. Purcell: Saul and the Witch of Endor (In Guilty Night), Z. 134: Why Hast Thou Robb'd Me of My Rest (3:36)
15. Purcell: Saul and the Witch of Endor (In Guilty Night), Z. 134: Farewell (0:46)
16. Charpentier: Le reniement de Saint Pierre, H. 424: Cum cœnasset Jesus (0:51)
17. Charpentier: Le Reniement de Saint Pierre, H. 424: Omnes vos scandalum patiemini in me (0:59)
18. Charpentier: Le Reniement de Saint Pierre, H. 424: Respondens autem Petrus (0:09)
19. Charpentier: Le Reniement de Saint Pierre, H. 424: Et si omnes scandalisati fuerint in te (1:00)
20. Charpentier: Le Reniement de Saint Pierre, H. 424: Similliter et omnes discipuli dixerunt (1:00)
21. Charpentier: Le Reniement de Saint Pierre, H. 424: Ecce Judas unus de duodecim venit (1:09)
22. Charpentier: Le Reniement de Saint Pierre, H. 424: Converte, Petre (0:54)
23. Charpentier: Le Reniement de Saint Pierre, H. 424: Ministri ergo Judæorum comprehenderunt (0:49)
24. Charpentier: Le Reniement de Saint Pierre, H. 424: Et introductus est Petrus in domum (0:44)
25. Charpentier: Le Reniement de Saint Pierre, H. 424: Et tu cum Jesu Nazareno eras? (0:23)
26. Charpentier: Le Reniement de Saint Pierre, H. 424: Nonne tu Galilæus es? (1:12)
27. Charpentier: Le Reniement de Saint Pierre, H. 424: Tunc respexit Jesus Petrum (1:07)
28. Charpentier: Le Reniement de Saint Pierre, H. 424: Flevit amare (1:54)
29. Purcell: Celestial Music Did the Gods Inspire, Z. 322: Aria. When Orpheus Sang, All Nature Did Rejoice (3:42)
Il Caravaggio is an ensemble founded and conducted by Camille Delaforge, bringing together a new generation of musicians playing period instruments; the ensemble will celebrate its tenth anniversary in 2027.
They are joining Alpha Classics for several recording projects, starting with this programme centred on three sacred works by Purcell (The Witch of Endor), Ferrandini (Il Pianto di Maria) and Charpentier (Le Reniement de Saint-Pierre): “I was 17, I’d just started playing the harpsichord and I discovered the final chorus of Le Reniement de Saint-Pierre. A world of profound humanity opened up before me. I did not yet understand the codes of this music, but I already I sensed that a key was turning, unlocking the door to an intensely emotional space,” says Camille Delaforge.
She continues: these works ““all depict a similar spiritual journey; that of a person faced with abandonment: Mary’s grief, Peter’s remorse and Saul’s terror in the face of the invisible in Purcell…" With leading singers, Camille Delaforge and Il Caravaggio perform these sacred stories with great passion; stories that have stood the test of time and still move us today. With leading singers, Camille Delaforge and Il Caravaggio perform these sacred stories with great passion; stories that have stood the test of time and still move us today.
They are joining Alpha Classics for several recording projects, starting with this programme centred on three sacred works by Purcell (The Witch of Endor), Ferrandini (Il Pianto di Maria) and Charpentier (Le Reniement de Saint-Pierre): “I was 17, I’d just started playing the harpsichord and I discovered the final chorus of Le Reniement de Saint-Pierre. A world of profound humanity opened up before me. I did not yet understand the codes of this music, but I already I sensed that a key was turning, unlocking the door to an intensely emotional space,” says Camille Delaforge.
She continues: these works ““all depict a similar spiritual journey; that of a person faced with abandonment: Mary’s grief, Peter’s remorse and Saul’s terror in the face of the invisible in Purcell…" With leading singers, Camille Delaforge and Il Caravaggio perform these sacred stories with great passion; stories that have stood the test of time and still move us today. With leading singers, Camille Delaforge and Il Caravaggio perform these sacred stories with great passion; stories that have stood the test of time and still move us today.
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