Martin Matalon / Les Percussions De Strasbourg - Le Scorpion (2004) [SACD]
Artist: Martin Matalon / Les Percussions De Strasbourg
Title: Le Scorpion
Year Of Release: 2004
Label: Accord
Genre: Classical, Contemporary
Quality: DSD64 image (*.iso) / 2.0, 5.1 (2,8 MHz/1 Bit)
Total Time: 00:48:54 / 00:49:17
Total Size: 2.68 GB
WebSite: Album Preview
Tracklist:Title: Le Scorpion
Year Of Release: 2004
Label: Accord
Genre: Classical, Contemporary
Quality: DSD64 image (*.iso) / 2.0, 5.1 (2,8 MHz/1 Bit)
Total Time: 00:48:54 / 00:49:17
Total Size: 2.68 GB
WebSite: Album Preview
01 - Les Scorpions (4:07)
02 - La Descente (1:10)
03 - La Choza (2:31)
04 - Les Bandits (4:01)
05 - Les Majorquins (4:36)
06 - Rome (2:05)
07 - Valse Dalienne (1:48)
08 - Les Marquis de X (4:13)
09 - Valse Bunuelesque (3:28)
10 - La Claque A (2:40)
11 - La Claque B (3:50)
12 - The Love Scene (6:19)
13 - La Girafe, le cousin et l eveque (5:32)
14 - Le Duc de Blangis (2:36)
Les Percussions De Strasbourg
Claude Ricou, Detlev Henri Kieffer, Gabriel Bouchet, Georges Van Gucht, Jean-Paul Batigne, Jean-Paul Finkbeiner founded in June 1961 in Strasbourg "Le groupe instrumental à percussion de Strasbourg", later renamed in 1966 as "Les percussions de Strasbourg".
The percussion ensemble has recorded more than 250 works for percussion mostly composed for them.
Recording made directly to the City of Music on 27 and 28 March 2003 - in co-production ACEV the City of Music and IRCAM-Centre Georges Pompidou.
'I totally espoused the Buñuelian principle of a form wherein every section opens on to another, the two having little or no relation between themselves...'
Claude Ricou, Detlev Henri Kieffer, Gabriel Bouchet, Georges Van Gucht, Jean-Paul Batigne, Jean-Paul Finkbeiner founded in June 1961 in Strasbourg "Le groupe instrumental à percussion de Strasbourg", later renamed in 1966 as "Les percussions de Strasbourg".
The percussion ensemble has recorded more than 250 works for percussion mostly composed for them.
Recording made directly to the City of Music on 27 and 28 March 2003 - in co-production ACEV the City of Music and IRCAM-Centre Georges Pompidou.
'I totally espoused the Buñuelian principle of a form wherein every section opens on to another, the two having little or no relation between themselves...'