MusicAeterna, Teodor Currentzis, New Siberian Singers - Mozart: Requiem in D Minor, K. 626 (2017) [Hi-Res]
Artist: MusicAeterna, Teodor Currentzis, New Siberian Singers
Title: Mozart: Requiem in D Minor, K. 626
Year Of Release: 2017
Label: Alpha
Genre: Classical
Quality: flac lossless / flac 24bits - 48.0kHz +Booklet
Total Time: 00:46:42
Total Size: 219 / 467 mb
WebSite: Album Preview
TracklistTitle: Mozart: Requiem in D Minor, K. 626
Year Of Release: 2017
Label: Alpha
Genre: Classical
Quality: flac lossless / flac 24bits - 48.0kHz +Booklet
Total Time: 00:46:42
Total Size: 219 / 467 mb
WebSite: Album Preview
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01. Requiem in D Minor, K. 626: I. Introitus "Requiem"
02. Requiem in D Minor, K. 626: II. Kyrie
03. Requiem in D Minor, K. 626: III. Sequenz "Dies Irae"
04. Requiem in D Minor, K. 626: III. Sequenz "Tuba mirum"
05. Requiem in D Minor, K. 626: III. Sequenz "Rex tremendae"
06. Requiem in D Minor, K. 626: III. Sequenz "Recordare"
07. Requiem in D Minor, K. 626: III. Sequenz "Confutatis"
08. Requiem in D Minor, K. 626: III. Sequenz "Lacrimosa"
09. Requiem in D Minor, K. 626: IV. Offertorium "Domine Jesu"
10. Requiem in D Minor, K. 626: IV. Offertorium "Hostias"
11. Requiem in D Minor, K. 626: V. Sanctus
12. Requiem in D Minor, K. 626: VI. Benedictus
13. Requiem in D Minor, K. 626: VII. Agnus Dei
14. Requiem In D Minor, K. 626: VIII. Communio "Lux Aeterna"
Alpha is now reissuing three recordings from its back catalogue, the first discs of the conductor Teodor Currentzis. An opportunity to discover or rediscover three very different styles, and three facets of the talent of ‘the enfant terrible of classical music’, as Le Figaro called him, for whom ‘music is intended to transport into the waking world the sentiments we feel when we dream’. With their invitation to travel through different periods and territories, these reissues may be appreciated both separately and as a triptych revealing the artistic approach of Teodor Currentzis and his ensemble MusicAeterna, from Purcell’s Dido and Aeneas (here served by an exceptional cast of singers) to Shostakovich’s Symphony no.14 (conducted like a dance of death) by way of Mozart’s Requiem, the Salzburg composer’s last work, here given an invigorating reinterpretation.