Claire Genewein & La Cetra Consort - Italian Rococo at the Hermitage (2017) [Hi-Res]

21 Jul, 10:44
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Artist: Claire Genewein, La Cetra Consort
Title: Italian Rococo at the Hermitage
Year Of Release: 2017
Label: Solo Musica
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 00:59:10
Total Size: 306 / 1132 mb
WebSite: Album Preview

Tracklist
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01. Trio Sonata for Transverse Flute, Violin & Basso continuo in G Major: I. Allegro moderato
02. Trio Sonata for Transverse Flute, Violin & Basso continuo in G Major: II. Andante
03. Trio Sonata for Transverse Flute, Violin & Basso continuo in G Major: III. Allegro
04. Concerto á 4 No. 1 in G Minor (Arr. for Chamber Ensemble): I. Grave e Adagio
05. Concerto á 4 No. 1 in G Minor (Arr. for Chamber Ensemble): II. Spiritoso
06. Concerto á 4 No. 1 in G Minor (Arr. for Chamber Ensemble): III. Allegro
07. Flute Trio in C Major, Op. 12 No. 5: I. Allegro
08. Flute Trio in C Major, Op. 12 No. 5: II. Larghetto con moto
09. Flute Trio in C Major, Op. 12 No. 5: III. Allegretto
10. String Quartet in C Major, Op. 1 No. 1: I. Allegro
11. String Quartet in C Major, Op. 1 No. 1: IV. Rondo
12. Flute Quartet in G Major, Op. 23 No. 6: I. Allegro spirituoso
13. Flute Quartet in G Major, Op. 23 No. 6: II. Minuet Trio
14. Flute Concerto in D major: I. Allegro
15. Flute Concerto in D major: II. Adagio, piano sempre
16. Flute Concerto in D major: III. Allegro assai

In the 18th and 19th centuries, the Hermitage in St Petersburg not only housed famous art collections, which were made accessible to the public after the October Revolution, but also hosted glamorous musical events. Catherine the Great had the Hermitage Theatre built, which still stands to this day, and the operas that were magnificently staged there were central to courtly festivities. The idea for this CD came in conjunction with Claire Genewein’s elevation to Doctor of Creative and Performing Arts at the University of Leiden in the Netherlands in June 2014. In her thesis, she showed that in 18th century Italy, instrumental music was rehearsed with the aid of textual reflections – a method which, over time, was almost completely lost and which is hardly practised today.

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