Skip Sempé & Capriccio Stravagante - William Byrd: Virginal & Consorts (2017)

  • 08 Apr, 22:25
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Artist:
Title: William Byrd: Virginal & Consorts
Year Of Release: 2017
Label: Paradizo
Genre: Classical
Quality: FLAC (tracks+booklet)
Total Time: 01:13:09
Total Size: 379 MB
WebSite:

Tracklist:

1 Fantazia à 6, T. 389
2 Pavan & Galliard, MB 32 "Kinbourough Good" : I.
3 Pavan & Galliard, MB 32 "Kinbourough Good" : II. Galliard
4 The Queen’s Alman - Hugh Ashton’s Ground (MB 20)
5 Pavan and galliard à 6 : I.
6 Pavan and galliard à 6 : II. Galliard
7 Pavane "Mille Regretz"
8 Pavan and Galliard, MB 14 : I.
9 Pavan and Galliard, MB 14 : II. Galliard
10 Browning (The Leaves be Green)
11 Pavan a 5
12 The Carman’s Whistle, MB 36
13 The Irish March, MB 94
14 My Lord of Oxenfords Maske
15 Pavan, MB 17
16 A Fancie, MB 25
17 Praeludium & Ground
18 Pavan & Galliard, MB 60 "Ph. Tregian", : I.
19 Pavan & Galliard, MB 60 "Ph. Tregian", : II. Galliard
20 Belle qui tiens ma vie, MB 21 "French Corantos" : I. Pavan

Personnel:
Skip Sempé, harpsichord
Capriccio Stravagante

These are unusual but unusually loving accounts of a generous selection of Byrd's consort fantasias, pavans and galliards and keyboard pieces. Their unorthodoxy lies in performing the consort pieces with a mixed ensemble which by turns contrasts and blends the conventional sound of a group of viols with a parallel ensemble of recorders, not just from one number to another, but between different sections of the same piece. In places a harpsichord and/or a chittarone join in as well. The result is a rich and adaptable sound, one which will be a little troubling to purists no doubt but which is undeniably fresh and expressive, adding an imaginative and often surprisingly dramatic new dimension to the music. Capriccio Stravagante also adopt their customary and resourceful practice of grouping pieces together, even running consort and keyboard pieces together on occasion. The whole procedure--as also Skip Sempé's eloquent and lyrical harpsichord playing--suggests nothing less than the deepest affection for this superb music. --Lindsay Kemp


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