Malmö Symphony Orchestra and Chamber Chorus, James Sinclair - Ives: Orchestral Sets Nos. 1-3 (2008) [Hi-Res]
Artist: Malmö Symphony Orchestra, Chamber Chorus, James Sinclair
Title: Ives: Orchestral Sets Nos. 1-3
Year Of Release: 2008
Label: Naxos
Genre: Classical
Quality: flac lossless / flac 24bits - 44.1kHz +Booklet
Total Time: 01:02:29
Total Size: 269 / 555 mb
WebSite: Album Preview
Title: Ives: Orchestral Sets Nos. 1-3
Year Of Release: 2008
Label: Naxos
Genre: Classical
Quality: flac lossless / flac 24bits - 44.1kHz +Booklet
Total Time: 01:02:29
Total Size: 269 / 555 mb
WebSite: Album Preview
Tracklist
01. Orchestral Set No. 1, "3 Places in New England": I. The St Gaudens in Boston Common (Col. Shaw and his Colored Regiment) [Version 1, ed. J.B. Sinclair]
02. Orchestral Set No. 1, "3 Places in New England": II. Putnam's Camp, Redding, Connecticut (Version 1, ed. J.B. Sinclair)
03. Orchestral Set No. 1, "3 Places in New England": III. The Housatonic at Stockbridge (Version 1, ed. J.B. Sinclair)
04. Orchestral Set No. 2: I. An Elegy to Our Forefathers
05. Orchestral Set No. 2: II. The Rockstrewn Hills Join in the People's Outdoor Meeting
06. Orchestral Set No. 2: III. From Hanover Square North, at the End of a Tragic Day, the Voice of the People Again Arose
07. Orchestral Set No. 3: I. —: Andante moderato (Ed. D.G. Porter)
08. Orchestral Set No. 3: II. An Afternoon, or During Camp Meetin' Week-One Secular Afternoon (in Bethel) [ed. D.G. Porter]
09. Orchestral Set No. 3: III. —: Andante (Realised by N. Josephson)
The works on this recording focus on a singular genre created by a singular composer. The kind of piece Charles Ives called a ‘set’ is usually a larger work made by putting together independently-written smaller pieces. The First Orchestral Set, variously titled Three Places in New England and A New England Symphony, is one of Ives’s great tributes to his roots. Put together around 1913-14 from material going back years, it is typically Ivesian in that each movement has an underlying program. Like the other sets, the Second has a slow-fast-slow pattern and a visionary hymn-based finale. The unfinished Third Orchestral Set was the only set Ives planned as a whole from the beginning. It may stand as the most profound discovery of the many and ongoing efforts to reconstruct Ives’s incomplete works. This is its first complete performance and recording.