Eleonor Bindman - J.S. Bach: Cello Suites (Arr. E. Bindman for Piano) (2020) [Hi-Res]

Artist: Eleonor Bindman
Title: J.S. Bach: Cello Suites (Arr. E. Bindman for Piano)
Year Of Release: 2020
Label: Grand Piano
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 02:07:52
Total Size: 455 MB / 2.16 GB
WebSite: Album Preview
Tracklist:Title: J.S. Bach: Cello Suites (Arr. E. Bindman for Piano)
Year Of Release: 2020
Label: Grand Piano
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 02:07:52
Total Size: 455 MB / 2.16 GB
WebSite: Album Preview
CD1
1. Cello Suite No. 1 in G Major, BWV 1007 (Arr. E. Bindman for Piano): I. Prélude (2:20)
2. Cello Suite No. 1 in G Major, BWV 1007 (Arr. E. Bindman for Piano): II. Allemande (5:02)
3. Cello Suite No. 1 in G Major, BWV 1007 (Arr. E. Bindman for Piano): III. Courante (2:30)
4. Cello Suite No. 1 in G Major, BWV 1007 (Arr. E. Bindman for Piano): IV. Sarabande (3:30)
5. Cello Suite No. 1 in G Major, BWV 1007 (Arr. E. Bindman for Piano): V. Menuets I & II (3:34)
6. Cello Suite No. 1 in G Major, BWV 1007 (Arr. E. Bindman for Piano): VI. Gigue (1:57)
7. Cello Suite No. 2 in D Minor, BWV 1008 (Arr. E. Bindman for Piano): I. Prélude (5:12)
8. Cello Suite No. 2 in D Minor, BWV 1008 (Arr. E. Bindman for Piano): II. Allemande (2:53)
9. Cello Suite No. 2 in D Minor, BWV 1008 (Arr. E. Bindman for Piano): III. Courante (2:09)
10. Cello Suite No. 2 in D Minor, BWV 1008 (Arr. E. Bindman for Piano): IV. Sarabande (4:39)
11. Cello Suite No. 2 in D Minor, BWV 1008 (Arr. E. Bindman for Piano): V. Menuets I & II (2:53)
12. Cello Suite No. 2 in D Minor, BWV 1008 (Arr. E. Bindman for Piano): VI. Gigue (2:04)
13. Cello Suite No. 3 in C Major, BWV 1009 (Arr. E. Bindman for Piano): I. Prélude (2:50)
14. Cello Suite No. 3 in C Major, BWV 1009 (Arr. E. Bindman for Piano): II. Allemande (3:29)
15. Cello Suite No. 3 in C Major, BWV 1009 (Arr. E. Bindman for Piano): III. Courante (3:10)
16. Cello Suite No. 3 in C Major, BWV 1009 (Arr. E. Bindman for Piano): IV. Sarabande (3:40)
17. Cello Suite No. 3 in C Major, BWV 1009 (Arr. E. Bindman for Piano): V. Bourrées I & II (3:54)
18. Cello Suite No. 3 in C Major, BWV 1009 (Arr. E. Bindman for Piano): VI. Gigue (3:10)
CD2
1. Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. E. Bindman for Piano): I. Prélude (3:58)
2. Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. E. Bindman for Piano): II. Allemande (3:19)
3. Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. E. Bindman for Piano): III. Courante (3:28)
4. Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. E. Bindman for Piano): IV. Sarabande (4:30)
5. Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. E. Bindman for Piano): V. Bourrées I & II (4:14)
6. Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. E. Bindman for Piano): VI. Gigue (2:13)
7. Cello Suite No. 5 in C Minor, BWV 1011 (Arr. E. Bindman for Piano): I. Prélude (5:10)
8. Cello Suite No. 5 in C Minor, BWV 1011 (Arr. E. Bindman for Piano): II. Allemande (5:01)
9. Cello Suite No. 5 in C Minor, BWV 1011 (Arr. E. Bindman for Piano): III. Courante (2:00)
10. Cello Suite No. 5 in C Minor, BWV 1011 (Arr. E. Bindman for Piano): IV. Sarabande (3:22)
11. Cello Suite No. 5 in C Minor, BWV 1011 (Arr. E. Bindman for Piano): V. Gavottes I & II (4:10)
12. Cello Suite No. 5 in C Minor, BWV 1011 (Arr. E. Bindman for Piano): VI. Gigue (2:07)
13. Cello Suite No. 6 in D Major, BWV 1012 (Arr. E. Bindman for Piano): I. Prélude (3:19)
14. Cello Suite No. 6 in D Major, BWV 1012 (Arr. E. Bindman for Piano): II. Allemande (7:31)
15. Cello Suite No. 6 in D Major, BWV 1012 (Arr. E. Bindman for Piano): III. Courante (3:39)
16. Cello Suite No. 6 in D Major, BWV 1012 (Arr. E. Bindman for Piano): IV. Sarabande (4:37)
17. Cello Suite No. 6 in D Major, BWV 1012 (Arr. E. Bindman for Piano): V. Gavottes I & II (3:01)
18. Cello Suite No. 6 in D Major, BWV 1012 (Arr. E. Bindman for Piano): VI. Gigue (3:30)
J.S. Bach’s genius is universally revered by music lovers, and a significant part of his output was in transcriptions of his own work, a tradition kept alive in Eleonor Bindman’s piano versions of the Six Suites for Solo Cello. Bindman has avoided embellishing these iconic pieces, preserving the intriguing ambiguities in Bach’s implied harmonies and savouring their expressive qualities through the baritone register of a marvellous Bösendorfer piano. These admirably accurate transcriptions reveal the mysterious mathematical grace and flexibility of structure that makes Bach’s art so organic and eternal.