Camerata Nordica, Terje Tönnesen - Tales of Sound and Fury (2017) [Hi-Res]

  • 19 Oct, 18:39
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Artist:
Title: Tales of Sound and Fury
Year Of Release: 2017
Label: BIS
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 60:21
Total Size: 300 MB / 1.07 GB
WebSite:

Tracklist:

01 Improvisation 0'53

Anonymous

02 New Mad Tom of Bedlam 4'28

Heinrich Ignaz Franz von Biber

Sonata jucunda, C. App. 121
03 Adagio - Allegro - Adagio... 8'42

04 Improvisation 0'44

Heinrich Ignaz Franz von Biber

Battalia, C. 61
05 I. Sonata. Allegro 1'40
06 II. Die liederliche Gesellschaft von allerley Humor. Allegro 0'47
07 III. Presto 0'28
08 IV. Der Mars 1'04
09 V. Presto 0'59
10 VI. Aria. Andante 3'27
11 VII. Die Schlacht. Allegro 0'51
12 VIII. Lamento der Verwundten Musquetirer. Adagio 1'34

John Eccles

13 Restless in Thought 4'04

Heinrich Ignaz Franz von Biber

Sonata representativa, C. 146
14 Allegro - Adagio - Allegro - Presto - Adagio 10'54

Henry Purcell

15 Bess of Bedlam 4'03

16 Improvisation 0'50

Georg Philipp Telemann

Ouverture Burlesque de Quixotte,TWV 55:G10
17 I. Ouverture 3'36
18 II. Le reveil de Quichotte 2'23
19 III. Son attacque des moulins à vent 1'20
20 IV. Les soupirs amoureux après la Princesse Dulcinée 1'59
21 V. Sanche Panse berné 1'28
22 VI. Le galope de Rosinante 0'31
23 VII. Celui d’ane de Sanche 1'44
24 VIII. Le couchée de Quichotte 1'52

In the course of this highly original programme, Terje Tønnesen and his Camerata Nordica tell us tales of madness and love, of battles and delusions. Building on imaginative scores by Biber, Telemann and Purcell, Tønnesen himself and Mikhel Kerem has fashioned even more colourful arrangements that bring human follies and passions to the fore.
In the course of the disc we are treated to rousing drum solos, a trio of Hungarian folk musicians makes a guest appearance in Biber’s ‘joking sonata’ and a Swedish nyckelharpa adds colour to the plaintive Aria in Battalia, before the listener is telescoped into the famous battle scene itself. Featured soloist soprano Karin Dahlberg gives us memorable portraits of madness in three English ‘Mad Songs’, and throughout the programme the members of the ensemble with equal conviction play their instruments, bay as a pack of hounds and groan as wounded musketeers. The result is a pageant fit for a street performance during a carnival – at turns absurd, burlesque, frightening and moving.


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