Orquesta Barroca de Sevilla - Contrafacta - Stabat Mater by Giovanni Battista Pergolesi & Motets by Juan Francés de Iribarren (2021) [Hi-Res]

Tracklist

01. Stabat Mater in F Minor, P. 77 (Revised Version by Juan Francés de Iribarren): I. Stabat Mater dolorosa (Soprano, Alto). Grave assai
02. Stabat Mater in F Minor, P. 77 (Revised Version by Juan Francés de Iribarren): II. Cujus animam gementem (Soprano). Andante amoroso
03. Stabat Mater in F Minor, P. 77 (Revised Version by Juan Francés de Iribarren): III. O quam tristis et afflicta (Soprano, Alto). Andante
04. Stabat Mater in F Minor, P. 77 (Revised Version by Juan Francés de Iribarren): IV. Quae moerebat et dolebat (Alto). Allegro commodo
05. Stabat Mater in F Minor, P. 77 (Revised Version by Juan Francés de Iribarren): V. Quis est homo qui non fleret (Soprano, Alto). Largo
06. Stabat Mater in F Minor, P. 77 (Revised Version by Juan Francés de Iribarren): VI. Vidit suum dulcem natum (Soprano). Andante amoroso
07. Stabat Mater in F Minor, P. 77 (Revised Version by Juan Francés de Iribarren): VII. Eja, Mater fons amoris (Alto). Andante
08. Stabat Mater in F Minor, P. 77 (Revised Version by Juan Francés de Iribarren): VIII. Fac, ut ardeat cor meum (Soprano, Alto). Fuga
09. Stabat Mater in F Minor, P. 77 (Revised Version by Juan Francés de Iribarren): IX. Sancta Mater, istud agas (Soprano, Alto). Andante
10. Stabat Mater in F Minor, P. 77 (Revised Version by Juan Francés de Iribarren): X. Fac, ut portem Christi mortem (Alto). Largo assai
11. Stabat Mater in F Minor, P. 77 (Revised Version by Juan Francés de Iribarren): XI. Inflammatus et accensus (Soprano, Alto). Allegro non presto
12. Stabat Mater in F Minor, P. 77 (Revised Version by Juan Francés de Iribarren): XIIa. Quando corpus morietur (Soprano, Alto). Largo assai
13. Stabat Mater in F Minor, P. 77 (Revised Version by Juan Francés de Iribarren): XIIb. Amen (Soprano, Alto). Fuga
14. Ave Maria, gratia plena (Motete)
15. Ego sum panis vivus (Motete al Santísimo)
16. Sabia extensión - Cantata al Santísimo: I. Recitado, "Sabia extensión de afecto" - II. Area, "Qué gozoso dulce acento" (Allegro)
17. Ego dormivi et somnum cepi (Motete a la Resurrección)
18. Te invocamus (Motete a la Santísima Trinidad)
19. Lamentación Segunda del Viernes Santo


Pergolesi’s Stabat Mater was extremely popular throughout Europe soon after it was composed in 1736. Countless printed and handwritten versions of this work, which was considered the stylistic ideal of sacred music in the 18th century, can be found in libraries all over the world. There are five manuscript copies of the Stabat Mater in the archives of Málaga Cathedral. This recording presents a version performed when Juan Francés de Iribarren was chapel master there. He did not copy the work exactly, but created a revision with substantial changes. Also included in the recording are some of Iribarren’s own works.

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