Steffen Schleiermacher - Mompou: Fêtes Lointaines (2016)

Artist: Steffen Schleiermacher
Title: Mompou: Fêtes Lointaines
Year Of Release: 2016
Label: MDG Scene
Genre: Classical
Quality: FLAC (tracks)
Total Time: 01:01:04
Total Size: 174 mb
WebSite: Album Preview
Tracklist: Title: Mompou: Fêtes Lointaines
Year Of Release: 2016
Label: MDG Scene
Genre: Classical
Quality: FLAC (tracks)
Total Time: 01:01:04
Total Size: 174 mb
WebSite: Album Preview
Charmes (12:10)
1. I Modere 2:05
2. II Lent 2:38
3. III Vif-Lentement 2:47
4. IV Modere 2:17
5. V 1:21
6. VI Gai - Tres Vif 0:59
7. Trois Variations 5:17
Cants Magics (11:55)
8. Energic 2:02
9. Obscur 2:15
10. Profond-Lent 2:20
11. Misterios 2:45
12. Calma 2:40
Suburbis (14:13)
13. El Carrer, El Guitarrista I El Vell Cavall 4:04
14. Gitanes I 2:42
15. Gitanes II 1:45
16. La Cegueta 3:05
17. L'home De L'aristo 2:23
Fêtes Lointaines (9:50)
18. I 2:17
19. II 1:12
20. III 1:26
21. IV 1:23
22. V 2:29
23. VI 1:00
Pessebres (5:47)
24. Creches. Dansa 1:41
25. L'ermita 4:05
26. El Pastor 2:07
Performers:
Steffen Schleiermacher (piano)
After Música Callada Steffen Schleiermacher is now presenting Fêtes lointaines, his second release featuring one-of-a-kind piano compositions by Federico Mompou. Along with the title cycle, this CD includes other miniatures from the period between 1914 and 1921.
The titles of the short cycles very much refer to the real world. “Suburbis” depicts street scenes in Barcelona, a guitarist endeavors to get a waltz going, gypsies form the topic of conversation, suddenly an old gray mare appears, and then a beggar concludes the series with hurdy-gurdy distress signals. The festivities in Fêtes lointaines, hints, mere impressions, are heard in the distance – which is why the instructions at the end read: “To be played like an echo.”
Mompou resembles Erik Satie, whom he had the opportunity to meet in Paris and learned to respect. The “Manfred Bürki” Steinway D grand piano presents its very transparent colour in contact with Steffen Schleiermacher’s fine-touch fingertips.
The titles of the short cycles very much refer to the real world. “Suburbis” depicts street scenes in Barcelona, a guitarist endeavors to get a waltz going, gypsies form the topic of conversation, suddenly an old gray mare appears, and then a beggar concludes the series with hurdy-gurdy distress signals. The festivities in Fêtes lointaines, hints, mere impressions, are heard in the distance – which is why the instructions at the end read: “To be played like an echo.”
Mompou resembles Erik Satie, whom he had the opportunity to meet in Paris and learned to respect. The “Manfred Bürki” Steinway D grand piano presents its very transparent colour in contact with Steffen Schleiermacher’s fine-touch fingertips.