Kid Ory - Golden Selection (Remastered) (2021)
Artist: Kid Ory
Title: Golden Selection (Remastered)
Year Of Release: 2021
Label: Master Tape Records
Genre: Jazz, Swing
Quality: FLAC (tracks)
Total Time: 4:00:34
Total Size: 1.21 GB
WebSite: Album Preview
Tracklist:Title: Golden Selection (Remastered)
Year Of Release: 2021
Label: Master Tape Records
Genre: Jazz, Swing
Quality: FLAC (tracks)
Total Time: 4:00:34
Total Size: 1.21 GB
WebSite: Album Preview
Disc 1
01. The Bucket's Got a Hole in It (Remastered)
02. Eh, la Bas (Remastered)
03. Sweet Lorraine (Remastered)
04. Original Dixieland One-Step (Remastered)
05. Bill Bailey (Remastered)
06. The Sheik of Araby (Remastered)
07. 12Th Street Rag (Remastered)
08. Joshua Fit the Battle of Jericho (Remastered)
09. 1919 Rag (Remastered)
10. Atlanta Blues (Remastered)
11. Aunt Hagar's Blues (Remastered)
12. Yellow Dog Blues (Remastered)
13. Baby, Won't You Please Come Home (Remastered)
14. Baby Face (Remastered)
15. Mahogany Hall Stomp (Remastered)
16. Friendless Blues (Remastered)
17. Harlem Blues (Remastered)
18. Joe Turner Blues (Remastered)
19. Song of the Wanderer (Remastered)
20. Ida (Remastered)
21. Careless Love (Remastered)
22. Loveless Love (Remastered)
23. Do What Ory Say (Remastered)
24. Ory's Creole Trombone (Remastered)
25. Tiger Rag (Remastered)
Disc 2
01. Bourbon Street Parade (Remastered)
02. Jazz Me Blues (Remastered)
03. South (Remastered)
04. Tailgate Ramble (Remastered)
05. Down by the Riverside (Remastered)
06. Panama (Remastered)
07. Down Home Rag (Remastered)
08. Way Down South (Remastered)
09. Maple Leaf Rag (Remastered)
10. Maryland, My Maryland (Remastered)
11. The World Is Waiting for the Sunrise (Remastered)
12. Weary Blues (Remastered)
13. Muskrat Ramble (Remastered)
14. Bugle Call Rag (Remastered)
15. St Louis Blues (Remastered)
16. Under the Bamboo Tree (Remastered)
17. Mood Indigo (Remastered)
18. The World's Jazz Crazy, Lawdy so Am I (Remastered)
19. Get out of Here (Remastered)
20. Oh! Didn't He Ramble (Remastered)
21. High Society (Remastered)
22. Spanish Shawl (Remastered)
23. Creole Song (Remastered)
24. Beale Street Blues (Remastered)
25. Toot, Toot, Tootsie! (Remastered)
Kid Ory was one of the great New Orleans pioneers, an early trombonist who virtually defined the "tailgate" style (using his horn to play rhythmic bass lines in the front line behind the trumpet and clarinet) and who was fortunate enough to last through the lean years so he could make a major comeback in the mid-'40s. Originally a banjoist, Ory soon switched to trombone and by 1911 was leading a popular band in New Orleans. Among his trumpeters during the next eight years were Mutt Carey, King Oliver and a young Louis Armstrong and his clarinetists included Johnny Dodds, Sidney Bechet, and Jimmie Noone. In 1919, Ory moved to California and in 1922 (possibly 1921) recorded the first two titles by a Black New Orleans jazz band ("Ory's Creole Trombone" and "Society Blues") under the band title of Spike's Seven Pods of Pepper Orchestra. In 1925 he moved to Chicago, played regularly with King Oliver, and recorded many classic sides with Oliver, Louis Armstrong (in his Hot Five and Seven), and Jelly Roll Morton, among others.
The definitive New Orleans trombonist of the 1920s, Ory (whose "Muskrat Ramble" became a standard) was mostly out of music after 1930, running a chicken ranch with his brother. However in 1942 he was persuaded to return, and after a stint with Barney Bigard's group, he formed his own band. Ory's group was featured on Orson Welles' radio show in 1944 and the publicity made it possible for the band to catch on. The New Orleans revival was in full swing and Ory (whose group included trumpeter Mutt Carey and clarinetists Omer Simeon or Darnell Howard) was still in prime form. He appeared in the 1946 film New Orleans (and later on in The Benny Goodman Story) and worked steadily in Los Angeles. After Mutt Carey departed in 1948, Ory used Teddy Buckner, Marty Marsala, Alvin Alcorn (the perfect musician for his group), and Red Allen on trumpets and his Dixieland bands always boasted high musicianship (even with the leader's purposely primitive style) and a consistent level of excitement. They recorded regularly (most notably for Good Time Jazz) up to 1960 by which time Ory (already 73) was cutting back on his activities. He retired altogether in 1966, moving to Hawaii. ~ Scott Yanow
The definitive New Orleans trombonist of the 1920s, Ory (whose "Muskrat Ramble" became a standard) was mostly out of music after 1930, running a chicken ranch with his brother. However in 1942 he was persuaded to return, and after a stint with Barney Bigard's group, he formed his own band. Ory's group was featured on Orson Welles' radio show in 1944 and the publicity made it possible for the band to catch on. The New Orleans revival was in full swing and Ory (whose group included trumpeter Mutt Carey and clarinetists Omer Simeon or Darnell Howard) was still in prime form. He appeared in the 1946 film New Orleans (and later on in The Benny Goodman Story) and worked steadily in Los Angeles. After Mutt Carey departed in 1948, Ory used Teddy Buckner, Marty Marsala, Alvin Alcorn (the perfect musician for his group), and Red Allen on trumpets and his Dixieland bands always boasted high musicianship (even with the leader's purposely primitive style) and a consistent level of excitement. They recorded regularly (most notably for Good Time Jazz) up to 1960 by which time Ory (already 73) was cutting back on his activities. He retired altogether in 1966, moving to Hawaii. ~ Scott Yanow
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