Sarah Vaughan - Sarah Vaughan's Finest Hour (2000)

  • 17 Sep, 17:20
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Artist:
Title: Sarah Vaughan's Finest Hour
Year Of Release: 2000
Label: Verve Records
Genre: Vocal Jazz
Quality: FLAC (tracks+.cue,log)
Total Time: 01:02:10
Total Size: 282 MB
WebSite:

Tracklist:

01. Misty (3:01)
02. How High the Moon (2:38)
03. I'm Glad There Is You (5:12)
04. Make Yourself Comfortable (2:42)
05. Lush Life (4:04)
06. What Is This Thing Called Love? (2:07)
07. The Other Half of Me (3:01)
08. Dedicated to You (2:48)
09. It Never Entered My Mind (3:43)
10. Shulie a Bop (2:41)
11. Lover Man (3:19)
12. Broken Hearted Melody (2:25)
13. My Man's Gone Now (4:24)
14. Lullaby of Birdland (4:01)
15. Night Song (3:14)
16. Dreamsville (3:53)
17. Star Dust (3:19)
18. Sassy's Blues (5:38)

Verve's Finest Hour collection of Sarah Vaughan's work compiles 60 minutes of career highlights, including "Misty," "Lush Life," "Lullaby of Birdland," "Star Dust," and "My Coloring Book." Though it's by no means a definitive compilation of Vaughan's music, it does provide a welcome overview of some of her best pop and jazz moments.

Some of her biggest Mercury pop hits-plus seminal jazz sides with the likes of Cannonball Adderley, Clifford Brown and Zoot Sims! Includes Make Yourself Comfortable; Broken Hearted Melody; Misty; Lush Life; Lover Man; Night Song; My Coloring Book; Star Dust; Dreamsville; Sassy's Blues , and more.
Amazon.com

Sarah Vaughan recorded for Norman Granz's Mercury label throughout the 1950s and early '60s, performing brilliantly on material that ranged as far afield as her three-octave voice. She was an effective pop singer, handily adding substance to the most casual lyric, and a superb ballad singer, finding emotional and musical nuances that few could match. As a jazz singer, she could improvise with an ebullient inventiveness that was a match for the most gifted instrumentalists. This hour-long introduction to her work touches on many of those bases, from the light pop of "Make Yourself Comfortable" to Billy Strayhorn's world-weary "Lush Life" to the hard-swinging scat of "Shulie a Bop" and "Sassy's Blues." Along the way, she gets to match wits with some great soloists, like Clifford Brown and Cannonball Adderley, while members of her regular trios, like pianist Bob James, drummer Roy Haynes, and bassist Joe Benjamin, offer exemplary support. --Stuart Broomer


Sarah Vaughan - Sarah Vaughan's Finest Hour (2000)


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Thanks but link doesn't seem to work.