Ilaria Crociani - Connecting the Dots (2023) Hi Res
Artist: Ilaria Crociani
Title: Connecting the Dots
Year Of Release: 2023
Label: ABC Jazz
Genre: Jazz, Vocal Jazz
Quality: 320 kbps | FLAC (tracks) | 24Bit/48 kHz FLAC
Total Time: 00:43:56
Total Size: 103 mb | 267 mb | 518 mb
WebSite: Album Preview
Tracklist:Title: Connecting the Dots
Year Of Release: 2023
Label: ABC Jazz
Genre: Jazz, Vocal Jazz
Quality: 320 kbps | FLAC (tracks) | 24Bit/48 kHz FLAC
Total Time: 00:43:56
Total Size: 103 mb | 267 mb | 518 mb
WebSite: Album Preview
01. Ilaria Crociani, Paul Grabowsky, Mirko Guerrini, Geoff Hughes, Ben Robertson, Niko Schäuble - Mary Lou
02. Ilaria Crociani, Paul Grabowsky, Mirko Guerrini, Geoff Hughes, Ben Robertson, Niko Schäuble - The Angel of the Bush
03. Ilaria Crociani, Paul Grabowsky, Ben Robertson, Niko Schäuble, John Griffiths - Gina
04. Ilaria Crociani, Paul Grabowsky, Mirko Guerrini, Geoff Hughes, Ben Robertson, Niko Schäuble, John Griffiths - Musicali Affetti
05. Ilaria Crociani, Paul Grabowsky, Mirko Guerrini, Geoff Hughes, Ben Robertson, Niko Schäuble - Eat My Dust
06. Ilaria Crociani, Paul Grabowsky, Mirko Guerrini, Geoff Hughes, Ben Robertson, Niko Schäuble, John Griffiths - Cosa Resta del Giorno
07. Ilaria Crociani, Paul Grabowsky, Mirko Guerrini, Geoff Hughes, Ben Robertson, Niko Schäuble - Silent Words
08. Ilaria Crociani, Paul Grabowsky, Mirko Guerrini, Geoff Hughes, Ben Robertson, Niko Schäuble - The Author Is Dead
09. Ilaria Crociani, Paul Grabowsky, Mirko Guerrini, Niko Schäuble - Stones of Fire
Personnel:
Ilaria Crociani (vocals)
Paul Grabowsky (piano)
John Griffiths (lute)
Mirko Guerrini (sax, clarinet, keyboards)
Geoff Hughes (guitars)
Ben Robertson (double bass, electric bass)
Niko Schäuble (drums, percussion)
From award-winning lyricist and composer Ilaria Crociani comes Connecting the Dots: a powerful and deeply moving tribute to women who have made a difference.
Born from Crociani’s personal experience of adjusting to a new life as an Italian migrant to Australia, Connecting the Dots weaves together narratives of hardship, vulnerability, resoluteness and redemption to paint an uplifting picture of resilience and hope. ‘Believing yourself to be alone, misunderstood and helpless in enduring the pains of living is the biggest and most foolish mistake anyone can make,’ she says. ‘This album is the fruit of a journey of personal discovery and reflection that led me to fully appreciate the importance of looking at other people's real-life experiences to build resilience in the face of adversity.’
The album offers a kaleidoscopic variety of songs, ranging from poignant and lyrical ballads to experimental numbers with a jazz-rock feel or an angular funky-reggae beat. The band is a who’s who of Australian jazz stars, with Paul Grabowsky on piano, Mirko Guerrini on sax, Niko Schäuble on drums, guitarist Geoff Hughes and Ben Robertson on bass, plus the ethereal sound of John Griffiths on lute, creating a bridge between early music, modern baroque and experimental jazz, and adding a final touch of unexpected yet ravishing hues to the album’s sound world.
Born from Crociani’s personal experience of adjusting to a new life as an Italian migrant to Australia, Connecting the Dots weaves together narratives of hardship, vulnerability, resoluteness and redemption to paint an uplifting picture of resilience and hope. ‘Believing yourself to be alone, misunderstood and helpless in enduring the pains of living is the biggest and most foolish mistake anyone can make,’ she says. ‘This album is the fruit of a journey of personal discovery and reflection that led me to fully appreciate the importance of looking at other people's real-life experiences to build resilience in the face of adversity.’
The album offers a kaleidoscopic variety of songs, ranging from poignant and lyrical ballads to experimental numbers with a jazz-rock feel or an angular funky-reggae beat. The band is a who’s who of Australian jazz stars, with Paul Grabowsky on piano, Mirko Guerrini on sax, Niko Schäuble on drums, guitarist Geoff Hughes and Ben Robertson on bass, plus the ethereal sound of John Griffiths on lute, creating a bridge between early music, modern baroque and experimental jazz, and adding a final touch of unexpected yet ravishing hues to the album’s sound world.