Peter Orins - Dead Dead Gang (2023) Hi Res

  • 28 Apr, 07:11
  • change text size:

Artist:
Title: Dead Dead Gang
Year Of Release: 2023
Label: Atypeek Diffusion / Circum-Disc
Genre: Jazz, Vocal Jazz
Quality: 320 kbps | FLAC (tracks) | 24Bit/96 kHz FLAC
Total Time: 00:44:34
Total Size: 105 mb | 145 mb | 617 mb
WebSite:

Tracklist:

01. Peter Orins, Maryline Pruvost, Barbara Dang, Gordon Pym - Le Fond Du Bruit Normal De La Vie
02. Peter Orins, Maryline Pruvost, Barbara Dang, Gordon Pym - Le Piccolo Des Grossièretés
03. Peter Orins, Maryline Pruvost, Barbara Dang, Gordon Pym - Prélude Infini
04. Peter Orins, Maryline Pruvost, Barbara Dang, Gordon Pym - Up The Pub

Personnel:

Maryline Pruvost : voice, Indian harmonium
Barbara Dang : piano
Gordon Pym : electronics
Peter Orins : drums

Dead Dead Gang came from the desire of drummer Peter Orins to write a piece inspired by Alan Moore’s 2016 novel Jerusalem.

A true world-story, disproportionate and monumental in size and time, this book is an experiment in itself: of the geographical space (we focus on a city, a specific place, examined from all points of view – macro and micro), of the temporal dimension (we go through more than 2000 years of history that are superimposed and entangled), and finally of this space-time relationship that ends up transforming the city into the sum of all the cities it has been since its foundation, and that does not forget all the human stories that compose it.

The name of the project comes from the gang of ghost children that we follow in the novel, a group that crosses the layers of time of the city.
A literal transcription of the work into music is obviously not possible, nor even desirable. However, the book itself is rich in sound universes and in diversity of languages and poetic influences, and the presence of superimposed times, images and ghostly presences never ceased to fascinate the drummer, who thus imagined a musical construction where texts, playing instructions and temporal and geographical superimpositions directly from the novel are mixed.

Open writing, inspired by minimalism but also by the numerous sacred or popular musical references of the book, where melodic writing, textual basis of various instructions, harmony and rhythm are mixed, the whole with a great freedom of interpretation highlighted by the personalities of each musician. The music, ethereal and stretched, cultivates the sound and formal ambiguity: songs, noises, strange and ghostly harmonies, dissolution or exacerbation of rhythm and silence, slowness and obsession.