Trio Roseau - Mozart: Harmoniemusik, Vol. 1 (2019) [Hi-Res]

Tracklist

01. La clemenza di Tito, K. 621: Overture (arr. for Woodwind Trio by Ulf-Guido Schäfer)
02. La clemenza di Tito, K. 621, Act One: Ah perdona al primo affetto (arr. for Woodwind Trio by Ulf-Guido Schäfer)
03. La clemenza di Tito, K. 621, Act One: Deh se piacer mi vuoi (arr. for Woodwind Trio by Ulf-Guido Schäfer)
04. La clemenza di Tito, K. 621, Act Two: Torna di Tito a lato (arr. for Woodwind Trio by Ulf-Guido Schäfer)
05. La clemenza di Tito, K. 621, Act One: Come ti piace imponi (arr. for Woodwind Trio by Ulf-Guido Schäfer)
06. La clemenza di Tito, K. 621, Act Two: Non piu di fi ori vaghe catene (arr. for Woodwind Trio by Ulf-Guido Schäfer)
07. Divertimento No. 1, K. 439b: I. Allegro
08. Divertimento No. 1, K. 439b: II. Menuetto -Allegretto. Trio
09. Divertimento No. 1, K. 439b: III. Adagio
10. Divertimento No. 1, K. 439b: IV. Menuetto. Trio
11. Divertimento No. 1, K. 439b: V. Rondo - Allegro
12. Divertimento No. 2, K. 439b: I. Allegro
13. Divertimento No. 2, K. 439b: II. Menuetto. Trio
14. Divertimento No. 2, K. 439b: III. Larghetto
15. Divertimento No. 2, K. 439b: IV. Menuetto. Trio
16. Divertimento No. 2, K. 439b: V. Rondo
17. Divertimento No. 5, K. 439b: I. Adagio
18. Divertimento No. 5, K. 439b: II. Menuetto. Trio
19. Divertimento No. 5, K. 439b: III. Adagio
20. Divertimento No. 5, K. 439b: IV. Romance - Andante
21. Divertimento No. 5, K. 439b: V. Polonaise



The ensemble of “trio d’anches” featuring the oboe, clarinet, and bassoon was first established in the 1920s and features on this brand new recording on SACD with the glorious music of Mozart arranged by Ulf-Guido Schäfer. His trio has now been recorded on the big sound of this Super Audio CD - a revelation for specialists in the field of wind chamber music.

Mozart’s later works increasingly included important parts for wind instruments, evident here in La clemenza di Tito, Mozart’s last opera. The combination of oboe, clarinet, and bassoon also repeatedly occurs in the original scores. Might this be the reason why Schäfer’s arrangements sound so authentic?

Two duets and two arias, framed by the overture and the famous rondo “Non più di fiori”, yield an ensemble composition full of operatic drama and ravishing beauty. Mozart’s predilection for the clarinet is legendary, and he was also so very fond of the basset horn, its “big sister” with a low voice, that he composed a good two dozen trio pieces for three of these horns. From them Schäfer has derived three enchanting divertimenti that in their instrumentation for trio d’anches create a quirky serenade atmosphere.

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