Massacre - Killing Time (1981) {2024 SHM-CD}

  • 27 Dec, 15:13
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Artist:
Title: Killing Time
Year Of Release: 1981
Label: Belle Antique – BELLE 244051
Genre: Jazz, Avantgarde
Quality: FLAC (tracks+.cue, log)
Total Time: 63:51
Total Size: 404 MB
WebSite:

Tracklist:

1. Legs (2:14)
2. Aging With Dignity (3:18)
3. Subway Hearts (2:59)
4. Killing Time (3:07)
5. Corridor (2:09)
6. Lost Causes (3:33)
7. Not The Person We Knew (3:34)
8. Bones (1:48)
9. Tourism (4:34)
10. Surfing (1:19)
11. As Is (8:49)
12. After (5:29)
13. Gate (3:02)
14. You Said (1:47)
15. Know (2:17)
16. Conversations With White Arc (1:14)
17. Carrying (1:43)
18. Bait (1:59)
19. Third Street (4:21)
20. 3 O'Clock, June 21st, Get Down There And Do It 1:34 (1:34)
21. F.B.I. (3:11)

Recorded live April 1981 at 24 rue Dunois, Paris, and June 1981 at OAO studio, Brooklyn.
Additional work on tapes was done at Sorcerer Sound, New York.

Tracks 14 to 21 are bonus tracks

14 &18 (Inroads, New York, July 1981)
15, 17, 19 & 21 (28 Rue Dunois, Paris, April 1981)
16 (CBGB, New York, April 1980)
20 (Stone Club, San Francisco, June 1981)

In contrast to previous LP version, the "Killing Time" LP cuts are heard here as originally intended, at the correct speed and pitch and without added reverb.


Review by Rick Anderson
Of the many obscure and wonderful albums recorded by members of the downtown avant-garde elite in the early 1980s, this is one of the most obscure and most wonderful. Massacre (despite its heavy-metallish moniker) was a challenging but quirkily charming "power trio" consisting of guitarist Fred Frith, bassist Bill Laswell and drummer Fred Maher, all of whom had already established themselves as movers and shakers in the experimental-music world. Some of the tunes, such as the charmingly offbeat "Legs" and "Aging With Dignity" were clearly composed ahead of time -- probably by Frith, given his already-established penchant for combining weird instrumental textures and unusual time signatures with cute melodies. Others, just as clearly, are group improvisations. Those who think they don't care for improvised music are advised to give "Subway Heart" and "Tourism" a try before making any judgments. Again, the credit for the consistent appeal of these performances goes largely to Frith, whose bag of sonic tricks is bottomless and who (unlike most of his peers) seems genetically incapable of making an uninteresting note choice. It's difficult to imagine anyone with a taste for unusual rock & roll not being seduced by this rough gem of an album. (Massacre reunited, though with a different drummer, in 1998 to record My Funny Valentine on the Tzadik label.)