SWR Vokalensemble, Marcus Creed - Fin de siècle (2026) [Hi-Res]

Tracklist

01. 5 Gedichte von Paul Heyse, Op. 3: No. 2, Im Lenz (Transcr. for Choir by Clytus Gottwald)
02. 5 Gedichte von Paul Heyse, Op. 3: No. 5, Umsonst (Transcr. for Choir by Clytus Gottwald)
03. Und wie mag die Liebe (Transcr. for Choir by Clytus Gottwald)
04. Italienisches Liederbuch: No. 17, Und willst du deinen Liebsten sterben sehen (Transcr. for Choir by Clytus Gottwald)
05. Mörike-Lieder: No. 7, Das verlassene Mägdlein (Transcr. for Choir by Clytus Gottwald)
06. Mörike-Lieder: No. 23, Auf ein altes Bild (Transcr. for Choir by Clytus Gottwald)
07. Mörike-Lieder: No. 17, Der Gärtner (Transcr. for Choir by Clytus Gottwald)
08. 8 Gedichte aus Letzte Blatter, Op. 10, TrV 141: No. 3, Die Nacht (Transcr. for Choir by Clytus Gottwald)
09. 3 Lieder, Op. 29, TrV 172: No. 1, Traum durch die Dämmerung (Transcr. for Choir by Clytus Gottwald)
10. 8 Gedichte aus Letzte Blatter, Op. 10, TrV 141: No. 8, Allerseelen (Transcr. for Choir by Clytus Gottwald)
11. 8 Lieder, Op. 49, TrV 204: No. 1, Waldseligkeit (Transcr. for Choir by Clytus Gottwald)
12. Lieder eines fahrenden Gesellen, GMW 10: No. 4, Die zwei blauen Augen (Transcr. for Choir by Clytus Gottwald)
13. Symphony No. 2 in C Minor, GMW 30 Resurrection: IV. Urlicht (Transcr. for Choir by Clytus Gottwald)
14. Lieder und Gesänge aus der Jugendzeit: No. 12, Scheiden und Meiden (Transcr. for Choir by Clytus Gottwald)
15. Ruckert-Lieder: Um Mitternacht, GMW 42 (Transcr. for Choir by Clytus Gottwald)
16. Im Abendrot (After Gustav Mahler)
17. 5 Lieder: No. 1, Die stille Stadt (Transcr. for Choir by Clytus Gottwald)
18. 5 Lieder: No. 3, Laue Sommernacht (Transcr. for Choir by Clytus Gottwald)
19. 5 Lieder: No. 4, Bei dir ist es traut (Transcr. for Choir by Clytus Gottwald)

This album brings together a collection of transcriptions that open an unusual chapter in music history: fin-de-siècle songs reimagined for unaccompanied choir. In doing so, Clytus Gottwald turns to repertoire that scarcely existed in the late Romantic period. His transcriptions offer these songs a new musical setting without altering their structure or harmonic language.