Indianapolis Baroque Orchestra & Barthold Kuijken - The Versailles Revolution (2018) [Hi-Res]

Tracklist
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01. Roland, LWV 6 (Excerpts): Ouverture
02. Roland, LWV 6 (Excerpts): Gigue
03. Roland, LWV 6 (Excerpts): Gavotte-Air-Gavotte (Da capo)
04. Roland, LWV 6 (Excerpts): 2nd Air
05. Roland, LWV 6 (Excerpts): Marche
06. Roland, LWV 6 (Excerpts): Menuets I & II (Da capo)
07. Roland, LWV 6 (Excerpts): Chaconne
08. Florilegium secundum, Fasciculus I "Nobilis Juventus": I. Ouverture
09. Florilegium secundum, Fasciculus I "Nobilis Juventus": II. Entrée d'Espagnols
10. Florilegium secundum, Fasciculus I "Nobilis Juventus": III. Air pour des Hollandois
11. Florilegium secundum, Fasciculus I "Nobilis Juventus": IV. Gigue pour des Anglois
12. Florilegium secundum, Fasciculus I "Nobilis Juventus": V. Gavotte pour des Italiens
13. Florilegium secundum, Fasciculus I "Nobilis Juventus": VI. Menuets I & II pour des François (Da capo)
14. Ariane et Bacchus Suite (Excerpts): Ouverture
15. Ariane et Bacchus Suite (Excerpts): Premier air pour la suite de la nymphe
16. Ariane et Bacchus Suite (Excerpts): Bourrée pour les mesmes-Air-Bourrée (Da capo)
17. Ariane et Bacchus Suite (Excerpts): Gigue
18. Ariane et Bacchus Suite (Excerpts): Air
19. Ariane et Bacchus Suite (Excerpts): Rondeau pour les plaisirs
20. Ariane et Bacchus Suite (Excerpts): Marche pour la suite de Bacchus
21. Ariane et Bacchus Suite (Excerpts): Simphonie du sommeil
22. Ariane et Bacchus Suite (Excerpts): Air pour les songes
23. Ariane et Bacchus Suite (Excerpts): Air pour les flûtes
24. Ariane et Bacchus Suite (Excerpts): Entracte
25. Ariane et Bacchus Suite (Excerpts): Chaconne

The Italian-born violinist and dancer Jean-Baptiste Lully revolutionised music at the French court in the 17th century. Not only did he transform ballet entertainments into a spectacular new genre, the tragédie lyrique, but he set new standards in orchestral playing – with him the 'modern' orchestra was born. The Suite from Roland exemplifies the majesty of his ouvertures, the beauty of his dance movements and the expressive depth of his chaconnes. Both Georg Muffat and Marin Marais were profoundly influenced by Lully, as their inventive suites show, and Muffat's own preserved performance instructions have been closely followed on this recording.

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