La botta forte - Fontana, Handel, Mancini & Others: Chamber Music (2019)

Artist: La botta forte
Title: Fontana, Handel, Mancini & Others: Chamber Music
Year Of Release: 2019
Label: Fra Bernardo
Genre: Classical
Quality: FLAC (tracks)
Total Time: 73:14 min
Total Size: 376 MB
WebSite: Album Preview
Tracklist:Title: Fontana, Handel, Mancini & Others: Chamber Music
Year Of Release: 2019
Label: Fra Bernardo
Genre: Classical
Quality: FLAC (tracks)
Total Time: 73:14 min
Total Size: 376 MB
WebSite: Album Preview
01. Trio Sonata in G Minor, Op. 2 No. 8, HWV 393: I. Andante
02. Trio Sonata in G Minor, Op. 2 No. 8, HWV 393: II. Allegro
03. Trio Sonata in G Minor, Op. 2 No. 8, HWV 393: III. Largo
04. Trio Sonata in G Minor, Op. 2 No. 8, HWV 393: IV. Allegro
05. Quanto dolce e quell' ardore: I. Quanto dolce e quell'ardore
06. Quanto dolce e quell' ardore: II. Purche a te sia vicina
07. Quanto dolce e quell' ardore: III. Aprimi il petto
08. Cello Sonata in A Minor, RV 44: I. Largo
09. Cello Sonata in A Minor, RV 44: II. Allegro poco
10. Cello Sonata in A Minor, RV 44: III. Largo
11. Cello Sonata in A Minor, RV 44: IV. Allegro
12. 18 Sonatas in 1, 2 & 3 Parts: Sonata No. 2
13. Cantate, ariette e duetti, Op. 2: No. 9, La Travagliata
14. Cantate, ariette e duetti, Op. 2: No. 6, La Vendetta
15. Sonata No. 14 à 3
16. Mi palpita il cor, HWV 132c: I. Mi palpita il cor
17. Mi palpita il cor, HWV 132c: II. Agitata e l'alma mia
18. Mi palpita il cor, HWV 132c: III. Tormento e gelosia
19. Mi palpita il cor, HWV 132c: IV. Ho tanti affanni in petto
20. Mi palpita il cor, HWV 132c: V. Clori di te mi lagno
21. Mi palpita il cor, HWV 132c: VI. S'un di m'adora la mia crudele
Venice, Rome and Naples are the places of origin of the presented pieces - places of an equally flourishing and brilliantly bright musical past. "Palpiti del Cuore" (Palpitations of the Heart) traces these historic locales' musical development across the glorious Italian Baroque era. The young ensemble La Botta Forte plays vocal and instrumental music from the beginnings of the 'stile moderno' in the 17th c. to the High Baroque in the 18th c. Each ensemble musician is proficient on several instruments, that flexibility allowing for a greatly expanded repertoire.