Bryce Eiman - Remedies Against Discontents (2021)
Artist: Bryce Eiman
Title: Remedies Against Discontents
Year Of Release: 2021
Label: Full Spectrum – FS 096
Genre: Ambient, Experimental
Quality: 16bit-44,1kHz FLAC
Total Time: 57:57
Total Size: 358 mb
WebSite: Album Preview
TracklistTitle: Remedies Against Discontents
Year Of Release: 2021
Label: Full Spectrum – FS 096
Genre: Ambient, Experimental
Quality: 16bit-44,1kHz FLAC
Total Time: 57:57
Total Size: 358 mb
WebSite: Album Preview
1. Reports Are Coming In (04:41)
2. The Family Is The Factory For Fixing The Future (04:17)
3. Blank Metal (04:54)
4. I Cannot Envy The Thorns About Me (03:55)
5. GMR Evening Adult Contemporary (05:17)
6. What The Lord Is Doing These Whipping Times (05:05)
7. Digression Of Air (05:14)
8. The Facts As I Heard Them (03:46)
9. Wars In The Backroom (04:06)
10. Meter & Melody (07:31)
11. In The Middle Of The A Is An Overthrown I (05:35)
12. GMR Sunday Program (03:36)
Full Spectrum Records is kicking the summer season off with a double barreled dose of good old-fashioned noise and grizzled plunderphonics, courtesy of Bynum, North Carolina’s Bryce Clayton Eiman. Titled Remedies Against Discontents, this release compiles Bryce’s mid-90s experiments with treated location recordings and lo-fi electronics.
A longtime fixture on the North Carolina noise circuit, Bryce originally recorded many of these sounds while he was living in Cleveland, Ohio. Primarily intended for use in solo performance under his Erosore moniker, or in combination with Peter Keller [AKA Bacillus] in WOMB, the majority of these sounds were created between 1993 and 1996 using a Casio SK-5, but the tapes languished for years afterward.
More recently, Bryce presented our own Andrew Weathers with a massive stack of cassettes and a busted old 4-track machine and asked him to digitize the material. There was no intention of this giving rise to a release, but as Andrew got into the project he heard something vital in the midst of these dusty performance loops. He began editing the 20-minute recordings down into shorter, more focused ideas and Remedies Against Discontents began to take shape, all violent electricity and technicolor feedback.