Paul Desmond - The Remasters (All Tracks Remastered) (2021)

  • 03 Jul, 05:54
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Artist:
Title: The Remasters (All Tracks Remastered)
Year Of Release: 2021
Label: Millennium Digital Remaster
Genre: Jazz
Quality: FLAC (tracks) / MP3
Total Time: 2:01:43
Total Size: 755 / 281 MB
WebSite:

Tracklist:

01. My Funny Valentine (Remastered 2017)
02. Two Of A AMind (Remastered 2018)
03. Time After Time (Remastered 2015)
04. A Garden In The Rain (Remastered 2018)
05. The Way You Look Tonight (Remastered 2018)
06. Greensleeves (Remastered 2015)
07. Will I Know (Remastered 2018)
08. Stardust (Remastered 2018)
09. Jeruvian (Remastered 2018)
10. You Go To My Head (Remastered 2018)
11. Two Degrees East, Three Degrees West (Remastered 2015)
12. Out Of Nowhere (Remastered 2018)
13. I Get a Kick out of You (Remastered 2015)
14. Baroque (Remastered 2018)
15. Body and Soul (Remastered 2017)
16. All The Things You Are (Remastered 2018)
17. For All We Know (Remastered 2015)
18. Misty Window (Remastered 2018)
19. Jazzbelle (Remastered 2018)
20. I Should Care (Remastered 2017)
21. Everything Happens To Me (Remastered 2018)
22. I've Got You Under My Skin (Remastered 2017)
23. Look For The Silver Lining (Remastered 2018)
24. Desmond Blue (Remastered 2017)
25. Sacre Blues (Remastered 2018)

Paul Desmond is widely recognized for his genius as a melodic improviser and as the benchmark of cool jazz sax players. His warm, elegant tone was one that he admittedly tried to make sound like a dry martini. He and Art Pepper were virtually the only alto players of their generation not directly influenced by Charlie Parker. Desmond was influenced by Lester Young, but took it further, into melodic and harmonic worlds never before traveled by reedmen -- especially in the upper registers. Desmond is best known for his years with the Dave Brubeck Quartet (1959-1967) and his well-known composition "Take Five." He met Brubeck in the late '40s and played with his Octet. The Quartet formed toward the end of 1950 and took final shape with Eugene Wright and Joe Morello a few years later. Jazz at Oberlin and Take Five were considered essential purchases by college students of the era, but Jazz Impressions of Japan was its most innovative recording. Desmond played his loping, slow, ordered, and intricate solos in direct contrast to the pianist's obsession with large chords, creating a myriad of textures for melodic and rhythmic counterpoint unlike any heard in jazz. His witty quotations from musicals, classical pieces, and folk songs were also a watermark of his artistry. When the Quartet split in 1967, Desmond began an intermittent yet satisfying recording career. It included dates with Gerry Mulligan for Verve, various sessions with Jim Hall, and a concert with the the Modern Jazz Quartet. He played his last gigs with the Brubeck Quartet at reunions before dying of lung cancer. Desmond's recordings for RCA have gotten box-set treatment and Mosaic issued one of the complete sessions with Hall. There are also reissues from A&M and CTI, though recordings on Artist House and Finesse remain regrettably out of print. ~ Thom Jurek