VA - City Music Tokyo Invitation (2020)

Artist: Various Artists
Title: City Music Tokyo Invitation
Year Of Release: 2020
Label: Sony Music Direct / GT Music – MHCL-2862
Genre: Funk, Disco, City Pop, Jazz, Soul
Quality: 320 / FLAC (tracks+.cue,log)
Total Time: 1:19:05
Total Size: 184 / 531 Mb
WebSite: Album Preview
Tracklist: Title: City Music Tokyo Invitation
Year Of Release: 2020
Label: Sony Music Direct / GT Music – MHCL-2862
Genre: Funk, Disco, City Pop, Jazz, Soul
Quality: 320 / FLAC (tracks+.cue,log)
Total Time: 1:19:05
Total Size: 184 / 531 Mb
WebSite: Album Preview
01. Epo – 雨のケンネル通り (04:35)
02. 宮沢りえ – 心から好き (05:13)
03. Platinum 900 – アップル -Apple- (05:57)
04. 国分友⾥恵 – Easy Love (04:46)
05. Cindy – 私達を信じていて (05:13)
06. 奥居 香 – あなたがそばにいる理由 (04:51)
07. 野田幹子 – 花を買う (04:01)
08. Secret Cruise – Bitter Sweet (04:18)
09. Pazz – Empty Heart (05:15)
10. Chara – あの時計の下で (04:24)
11. Pizzicato Five – トップ・シークレット (最高機密) (04:57)
12. 大野方栄 – さよならの風景 (03:31)
13. マナ – ほろほろ草子 (04:05)
14. Kaoru – クリスタル・ナイト (04:41)
15. ラジ – ラスト・チャンス (05:22)
16. 長谷川みつ美 – スターダスト・レディ (03:35)
17. Yutaka – Love Light (04:18)
A new city pop compi is born, which was knitted by Mr. Kunimondo Takiguchi, who leads the streamline of today's city pop boom, with the concept of [influenced hidden masterpieces]! This is a piece that thoroughly digs up a song with a particularly high degree of rarity among the songs that "leaded to." A little for a mundane comp ... Recommended for those who like it, the next decisive board for the city pop comp!
From the dawn of EPO, which is familiar to Tatsuro Yamashita and Southern, the trendy created by a unique combination of Rie Miyazawa x Takeshi Kitano (lyrics) x T-SQUARE Takeshi Ito (Sax) has been praised by Mr. Kunimond Takiguchi for a long time. George Benson scented by PLATINUM 900, who was active at the end of the 1980s, and PUZZ, who specializes in smooth R & B. From the talked about CITY POP back masterpiece (13), a super rare (16) with a beautiful laid-back string of unknown details sung by former talent and former lyricist Mitsumi Hasegawa, later Dave Grucin and other US GRP labels and Japan YUTAKA (Yu Yokokura), who signed for the first time as a person, has an outstandingly rare song selection that concludes with a Japanese instrument, Mellow Fusion, featuring Patti Austin in 1978!
Honestly, the degree of excavation is so high that most people would have been buried without knowing it without this competition. There are some items for which information is difficult to obtain, so be sure to read the commentary by Mr. Kunimondo Takiguchi.
The works from the latter half of the 80's are also firmly held, and the "Obscure City Pop Disc Guide" published last year is a little too wide, so I would like to recommend it to those who want to recommend it. I'm tired of the usual comps ... I definitely want people to hold it down, and I'm crazy about the rare ☆☆☆ song selection!
From the dawn of EPO, which is familiar to Tatsuro Yamashita and Southern, the trendy created by a unique combination of Rie Miyazawa x Takeshi Kitano (lyrics) x T-SQUARE Takeshi Ito (Sax) has been praised by Mr. Kunimond Takiguchi for a long time. George Benson scented by PLATINUM 900, who was active at the end of the 1980s, and PUZZ, who specializes in smooth R & B. From the talked about CITY POP back masterpiece (13), a super rare (16) with a beautiful laid-back string of unknown details sung by former talent and former lyricist Mitsumi Hasegawa, later Dave Grucin and other US GRP labels and Japan YUTAKA (Yu Yokokura), who signed for the first time as a person, has an outstandingly rare song selection that concludes with a Japanese instrument, Mellow Fusion, featuring Patti Austin in 1978!
Honestly, the degree of excavation is so high that most people would have been buried without knowing it without this competition. There are some items for which information is difficult to obtain, so be sure to read the commentary by Mr. Kunimondo Takiguchi.
The works from the latter half of the 80's are also firmly held, and the "Obscure City Pop Disc Guide" published last year is a little too wide, so I would like to recommend it to those who want to recommend it. I'm tired of the usual comps ... I definitely want people to hold it down, and I'm crazy about the rare ☆☆☆ song selection!