Bob Mintzer - Source (1982)

28 Apr, 21:59
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Artist: Bob Mintzer
Title: Source
Year Of Release: 2007
Label: Explore Records [EXP0033]
Genre: Jazz, Fusion
Quality: FLAC (tracks + .cue,log,scans) | MP3/320 kbps
Total Time: 38:02
Total Size: 290 MB(+3%) | 90 MB(+3%)
WebSite: Album Preview

Tracklist

01. Late Night with You - 4:19
02. Don't Lock the Door - 5:55
03. The Source - 4:23
04. I Don't Know - 5:13
05. Mr. Fone Bone - 7:09
06. Centering - 4:12
07. Spiral - 6:51

personnel :

Bob Mintzer - Tenor Saxophone, Clarinet, Bass Clarinet, Electric Bass Clarinet, Piccolo, Prophet, Drums, Vocals
Randy Brecker - Horn
Lew Soloff - Horn
Alan Rubin - Horn
Alan Raph - Trombone
Tom Malone - Trombone
Carla Poole - Flute
Don Grolnick - Keyboards
Mark Gray - Keyboards
Hugh McCracken - Guitar
Bill Washer - Guitar
Jaco Pastorius - Bass
Will Lee - Bass
Tom Barney - Bass
Brian Brake - Drums
Peter Erskine - Drums
Frank Malabe - Percussion
Manolo Badrena - Percussion
Chuggy Carter - Percussion
Carter Cathcarte - Vocals
Lillias White - Background Vocals

Source is Bob Mintzer's second album as a leader. Recorded in 1982 for the Cheetah label, it was previously released only in Japan. Source was recorded with an alternating larger ensemble that includes in various places keyboardists Don Grolnick and Mark Gray, guitarist Hugh McCracken, bassists Jaco Pastorius (with whom Mintzer had tenured on the Word of Mouth big band LP), and Will Lee, drummers Peter Erskine and Brian Brake, and horn players Lew Soloff, Randy Brecker, and Alan Rubin, among others. In many ways this foreshadows the work that Mintzer would do with the Yellowjackets eight years later. It's sheeny studio jazz-funk and contemporary knotty big band work. This set contains a number of vocal performances by Carter Cathcart, on the soulful opener "Late Night with You," and the now dated funk of the title cut -- it's the vocoders, the compressed saxophone sound and particularly, the flat drums. This isn't a stellar date by any stretch of the imagination, but hearing Pastorius on the title cut redeems it somewhat. There is also the Afro-Latin groove on "I Don't Know" which has teeth and a killer arrangement, but the production is a little sterile. "Mr. Fone Bone" fares far better with Pastorius and a melody that could have been written by him and performed by Weather Report. Grolnick's B-3 underneath all those horns is particularly wonderful. Mintzer begins a solo only to interrupt it with a knotty horn arrangement that changes the color of the tune while it cooks on the strength of the rhythm section. It's the album's best moment. "Centering" is a small group ballad with a lovely solo from Mintzer on tenor. The final cut, "Spiral," begins almost classically with the winds and horns playing delicately before opening into a funky jazz romp, again with Pastorius' bass leading the charge. But the tune doesn't stay there; it's nuanced, with an assortment of textures and dynamics that make it one of the great exercises of restraint in Mintzer's career. It's a fine finish. Musically, there is a lot to enjoy here, and if the '80s over-production doesn't get in your way as a listener, it's easy to recommend this.~Thom Jurek

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