Pia Davila, Bernhard Reichel, Musica getutscht - Dolente partita. Madonne e Maddalena (Works by Monteverdi and His Contemporaries) (2024) [Hi-Res]
Artist: Pia Davila, Bernhard Reichel, Musica getutscht
Title: Dolente partita. Madonne e Maddalena (Works by Monteverdi and His Contemporaries)
Year Of Release: 2024
Label: Coviello Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 56:44
Total Size: 246 MB / 1.01 GB
WebSite: Album Preview
Tracklist:Title: Dolente partita. Madonne e Maddalena (Works by Monteverdi and His Contemporaries)
Year Of Release: 2024
Label: Coviello Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 56:44
Total Size: 246 MB / 1.01 GB
WebSite: Album Preview
1. Il terzo libro de varie sonate, Venedig 1613: Sinfonia nona (3:17)
2. Ghirlanda sacra, Venedig 1625: Salve Regina (3:27)
3. Il quatro libro de varie sonate, Venedig 1622: Sonata Ottava sopra l’Aria è tanto tempo hormai (3:01)
4. Ghirlanda sacra, Venedig 1625: O Maria Quam pulchra es (5:24)
5. Il terzo libro de varie sonate, Venedig 1613: Sonata terza sopra l’Arie della Romanesca (2:48)
6. Curtio precipitato, Milano 1638: Canzonetta sopra la nanna (6:44)
7. Il quatro libro de varie sonate, Venedig 1622: Sinfonia seconda (1:57)
8. Affetti amorosi spirituali, Rom 1617: Aria sopra la Romanesca: O quante volte il dì (4:21)
9. Toccate e partite d'intavolatura, Rom 1616: Partite sopra „La Monica“ (6:10)
10. Dopo si lungo error (2:01)
11. Arie musicali, Rom 1630: Maddalena alla croce (2:16)
12. Il terzo libro de varie sonate, Venedig 1613: Sonata prima detta la Moderna (3:21)
13. I-Bc Q43: Lamento della Maddalena (7:35)
14. Libro quarto d'intavolatura di Chitarrone, Rom 1640: Toccata VIII (2:14)
15. I-Rc Ms. 2472: Ciaconna: S’io mio parto, ò mio Signore (2:14)
Soprano Pia Davila and the ensemble Musica getutscht under the direction of Bernhard Reichel show how Claudio Monteverdi and his contemporaries transferred the modern dramatic style from secular opera to sacred music during the
Counter-Reformation. For example, they told the Passion of Christ in a completely new way - namely from the personal perspective of the Virgin Mary and Mary Magdalene. Both lament the painful parting from Jesus, not only as their savior, but above all as their son and lover.
Counter-Reformation. For example, they told the Passion of Christ in a completely new way - namely from the personal perspective of the Virgin Mary and Mary Magdalene. Both lament the painful parting from Jesus, not only as their savior, but above all as their son and lover.
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