Be Bop Deluxe - Axe Victim (Reissue) (1974/1990)
Artist: Be Bop Deluxe
Title: Axe Victim
Year Of Release: 1974/1990
Label: Harvest/EMI
Genre: Prog Rock, Art Rock, Glam
Quality: Flac (tracks, .cue, log)
Total Time: 01:01:12
Total Size: 396 Mb (scans)
WebSite: Album Preview
Tracklist:Title: Axe Victim
Year Of Release: 1974/1990
Label: Harvest/EMI
Genre: Prog Rock, Art Rock, Glam
Quality: Flac (tracks, .cue, log)
Total Time: 01:01:12
Total Size: 396 Mb (scans)
WebSite: Album Preview
01. Axe Victim (5:14)
02. Love Is Swift Arrows (4:12)
03. Jet Silver And The Dolls Of Venus (4:10)
04. Third Floor Heaven (2:27)
05. Night Creatures (3:34)
06. Rocket Cathedrals (3:00)
07. Adventures In A Yorkshire Landscape (3:23)
08. Jets At Dawn (7:19)
09. No Trains To Heaven (6:39)
10. Darkness (L'Immoraliste) (3:22)
Bonus Tracks:
11. Piece Of Mine (Live) (5:13)
12. Mill Street Junction (Live) (4:43)
13. Adventures In A Yorkshire Landscape (Live) (7:56)
William Nelson / vocals, guitar, acoustic guitar, piano
Robert Bryan / vocals, bass guitar
Ian Parkin / guitar, acoustic guitar, organ
Nicholas Chatterton-Drew / drums, percussion
During the comparatively barren times for progressive music in the early 70s, guitarist Bill Nelson (William Nelson, 18 December 1948, Wakefield, West Yorkshire, England) recorded the limited edition Northern Dream. Tapes of this collector's item were played by the pioneering disc jockey John Peel on his legendary BBC Radio programme, Top Gear. The line-up of Nelson, Nicholas Chatterton-Dew (drums), Robert Bryan (bass, vocals) and Ian Parkin (d. July 1995; guitar) recorded Axe Victim as BE-BOP DELUXE. Nelson soon disbanded the outfit, and following a tour supporting Cockney Rebel, he formed a new band, taking members from that fragmented unit. This short-lived combo also broke up. With the addition of bass player Charles Tumahai (b. New Zealand, d. 21 December 1995) and drummer Simon Fox, Nelson released Futurama and Sunburst Finish. The latter included a surprise hit single, "Ships In The Night". Nelson's undeniable talent as a guitarist began to dominate the band and as his technical virtuosity grew, the songs became weaker. Nelson abandoned the name in 1978 for the more radical Red Noise, retaining keyboard player Andrew Clark from the old band, although he now records under his own name. During their peak, Be-Bop Deluxe were an exciting and refreshing band who were ultimately unable to find a musical niche that suited their varied styles.